BOTD: DOROTHY DANDRIDGE (November 9, 1922)

π™³πš˜πš›πš˜πšπš‘πš’ π™ΉπšŽπšŠπš— π™³πšŠπš—πšπš›πš’πšπšπšŽ 𝚠𝚊𝚜 πš‹πš˜πš›πš— πšπš‘πš’πšœ πš πšŽπšŽπš” πš’πš— 𝟷𝟿𝟸𝟸. π™³πšŠπš—πšπš›πš’πšπšπšŽ 𝚠𝚊𝚜 πšπš‘πšŽ πšπš’πš›πšœπš π™°πšπš›πš’πšŒπšŠπš—-π™°πš–πšŽπš›πš’πšŒπšŠπš— πš—πš˜πš–πš’πš—πšŠπšπšŽπš πšπš˜πš› 𝚊 π™±πšŽπšœπš π™°πšŒπšπš›πšŽπšœπšœ π™°πšŒπšŠπšπšŽπš–πš’ π™°πš πšŠπš›πš πšπš˜πš› "π™²πšŠπš›πš–πšŽπš— π™Ήπš˜πš—πšŽπšœ." πš†πš‘πšŠπš'𝚜 πš’πš˜πšžπš› πšπšŠπšŸπš˜πš›πš’πšπšŽ π™³πš˜πš›πš˜πšπš‘πš’ π™³πšŠπš—πšπš›πš’πšπšπšŽ πš–πš˜πšŸπš’πšŽ? 𝚁𝚎𝚊𝚍 πšŠπš•πš• πšŠπš‹πš˜πšžπš πš‘πšŽπš› πš•πš’πšπšŽ πšŠπš—πš πšžπš—πšπš’πš–πšŽπš•πš’ πšπšŽπšŠπšπš‘ πš’πš— πšπš‘πšŽ πšπšŠπš—πš£πš’πš—πšŽ 𝙳𝙴𝙰𝙳 𝙸𝙽 π™·π™Ύπ™»π™»πšˆπš†π™Ύπ™Ύπ™³: π™³π™Ύπšπ™Ύπšƒπ™·πšˆ π™³π™°π™½π™³πšπ™Έπ™³π™Άπ™΄ (π™ΈπšœπšœπšžπšŽ 𝟷0). π™Έπš'𝚜 πš˜πš—πšŽ 𝚘𝚏 πš–πš’ πšπšŠπšŸπš˜πš›πš’πšπšŽ πš’πšœπšœπšžπšŽπšœ. 𝟹𝟼 πš™πšŠπšπšŽπšœ, πšπšžπš•πš• πšŒπš˜πš•πš˜πš›, πš‘πšžπš—πšπš›πšŽπšπšœ 𝚘𝚏 πš™πš‘πš˜πšπš˜πšπš›πšŠπš™πš‘πšœ, πšŠπš—πš 𝚊 πš•πš˜πš 𝚘𝚏 πš•πš’πšπšπš•πšŽ πš”πš—πš˜πš πš— 𝚏𝚊𝚌𝚝𝚜!

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The Death of Dominique Dunne

"π™Ώπš˜πš•πšπšŽπš›πšπšŽπš’πšœπš" πšŠπšŒπšπš›πšŽπšœπšœ, π™³πš˜πš–πš’πš—πš’πššπšžπšŽ π™³πšžπš—πš—πšŽ, πšŒπšŠπš–πšŽ πšπš›πš˜πš– 𝚊 πš›πšŽπš•πšŠπšπš’πšŸπšŽπš•πš’ πš™πš›πš’πšŸπš’πš•πšŽπšπšŽπš πš‹πšŠπšŒπš”πšπš›πš˜πšžπš—πš. π™·πšŽπš› πš–πš˜πšπš‘πšŽπš›, π™΄πš•πš•πšŽπš— π™±πšŽπšŠπšπš›πš’πš£, 𝚠𝚊𝚜 𝚊 πš›πšŠπš—πšŒπš‘πš’πš—πš πš‘πšŽπš’πš›πšŽπšœπšœ, πšŠπš—πš πš‘πšŽπš› πšπšŠπšπš‘πšŽπš›, π™³πš˜πš–πš’πš—πš’πšŒπš” π™³πšžπš—πš—πšŽ, 𝚠𝚊𝚜 πšŠπš— πšŠπšŒπšŒπš•πšŠπš’πš–πšŽπš πšŠπšžπšπš‘πš˜πš›. π™·πšŽπš› πš‹πš›πš˜πšπš‘πšŽπš›, π™Άπš›πš’πšπšπš’πš— π™³πšžπš—πš—πšŽ, πšŠπš•πšœπš˜ πšŠπš— πšŠπšŒπšπš˜πš›, πš‘πšŠπš πš“πšžπšœπš πšŠπš™πš™πšŽπšŠπš›πšŽπš πš’πš— πšπš‘πšŽ πš’πšŒπš˜πš—πš’πšŒ πš‘πš˜πš›πš›πš˜πš› πš–πš˜πšŸπš’πšŽ "π™°πš— π™°πš–πšŽπš›πš’πšŒπšŠπš— πš†πšŽπš›πšŽπš πš˜πš•πš πš’πš— π™»πš˜πš—πšπš˜πš—." π™³πšžπš—πš—πšŽ'𝚜 πšŠπšžπš—πš πšŠπš—πš πšžπš—πšŒπš•πšŽ? π™Ήπš˜πšŠπš— π™΅πšžπšŒπš”πš’πš—πš π™³πš’πšπš’πš˜πš— πšŠπš—πš π™Ήπš˜πš‘πš— π™Άπš›πšŽπšπš˜πš›πš’ π™³πšžπš—πš—πšŽ! π™³πšžπš—πš—πšŽ'𝚜 πšπšŽπšŠπšπš‘ 𝚊𝚝 πšπš‘πšŽ πš‘πšŠπš—πšπšœ 𝚘𝚏 πš‘πšŽπš› 𝚎𝚑-πš‹πš˜πš’πšπš›πš’πšŽπš—πš 𝚠𝚊𝚜 πšπš›πšžπš•πš’ πšπš›πšŠπšπš’πšŒ πšŠπš—πš 𝚜𝚘 πšžπš—πš—πšŽπšŒπšŽπšœπšœπšŠπš›πš’. π™·πš’πšœ πšœπšŽπš—πšπšŽπš—πšŒπšŽ 𝚠𝚊𝚜 πšŽπšŸπšŽπš— πš–πš˜πš›πšŽ πš™πš›πš’πšŸπš’πš•πšŽπšπšŽπš πšŠπš—πš πš˜πšπšπšŽπš—πšœπš’πšŸπšŽ. 

Deathiversary: There's Always Todd Tomorrow

π™»πšŠπšœπš πš’πšŽπšŠπš› πš˜πš— π™Ήπšžπš•πš’ πŸΎπšπš‘, 𝟸𝟢𝟷𝟾, πšƒπšŠπš‹ π™·πšžπš—πšπšŽπš› πšπš’πšŽπš 𝚘𝚏 𝚊 πš‘πšŽπšŠπš›πš πšŠπšπšπšŠπšŒπš”. π™·πšŽ 𝚠𝚊𝚜 𝟾𝟼. π™Έπš— πšπš‘πšŽ 𝟷𝟿𝟻𝟢𝚜, π™·πšžπš—πšπšŽπš› πšπšŽπšπš’πš—πšŽπš πšπš‘πšŽ πšπšŽπš›πš– "π™·πš˜πš•πš•πš’πš πš˜πš˜πš π™·πšŽπšŠπš›πšπšπš‘πš›πš˜πš‹." 𝙰 "πšπšŠπš— πšπšŠπšŸπš˜πš›πš’πšπšŽ" πš πš‘πš˜ πšœπš™πšŽπš—πš πš–πš˜πšœπš 𝚘𝚏 πš‘πš’πšœ πš•πš’πšπšŽ πš’πš— πšπš‘πšŽ πšŒπš•πš˜πšœπšŽπš. π™·πšžπš—πšπšŽπš› πšπš’πš—πšŠπš•πš•πš’ πšŒπš˜πš—πšπš’πš›πš–πšŽπš πšπš‘πšŽ "πš•πš˜πš—πš-πšœπšπšŠπš—πšπš’πš—πš πš›πšžπš–πš˜πš›πšœ" 𝚘𝚏 πš‹πšŽπš’πš—πš 𝚐𝚊𝚒 πš’πš— πš‘πš’πšœ 𝟸𝟢𝟢𝟻 πšŠπšžπšπš˜πš‹πš’πš˜πšπš›πšŠπš™πš‘πš’, "πšƒπšŠπš‹ π™·πšžπš—πšπšŽπš› π™²πš˜πš—πšπš’πšπšŽπš—πšπš’πšŠπš•." π™Έπš'𝚜 πš˜πš—πšŽ 𝚘𝚏 𝚝𝚠𝚘 πš‹πš˜πš˜πš”πšœ 𝙸'πš– πš’πš— πšπš‘πšŽ πš–πš’πšπšπš•πšŽ 𝚘𝚏 πš›πšŽπšŠπšπš’πš—πš 𝚊𝚝 πšπš‘πšŽ πš–πš˜πš–πšŽπš—πš - πšπš‘πšŽ πš˜πšπš‘πšŽπš› πš‹πšŽπš’πš—πš "πšƒπš‘πšŽ π™½πš’πšπš‘πš πš‚πšπšŠπš•πš”πšŽπš›: πšƒπš‘πšŽ π™»πš’πšπšŽ πšŠπš—πš π™²πš›πš’πš–πšŽπšœ 𝚘𝚏 πšπš’πšŒπš‘πšŠπš›πš πšπšŠπš–πš’πš›πšŽπš£ "πš‹πš’ π™Ώπš‘πš’πš•πš’πš™ π™²πšŠπš›πš•πš˜. π™·πšžπš—πšπšŽπš› πšœπšŠπš’πš 𝚘𝚏 πš‘πš’πšœ πš‹πš˜πš˜πš”: "𝙸 πšπš‘πš˜πšžπšπš‘πš, 'π™»πš˜πš˜πš”, 𝚐𝚎𝚝 πš’πš πšπš›πš˜πš– πšπš‘πšŽ πš‘πš˜πš›πšœπšŽ'𝚜 πš–πš˜πšžπšπš‘ πšŠπš—πš πš—πš˜πš πšπš›πš˜πš– πšœπš˜πš–πšŽ πš‘πš˜πš›πšœπšŽ'𝚜 𝚊𝚜𝚜 πšŠπšπšπšŽπš› 𝙸'πš– 𝚍𝚎𝚊𝚍 πšŠπš—πš πšπš˜πš—πšŽ.'"

Sky Bar

This edit is of a photo of Dorothy Dandridge taken at the popular Cleveland nightclub, Lindsay's Sky Bar, by photographer Frank Kuchirchuk. The photo is part of the Frank Kuchirchuk Collection of Jazz Photography at the Oberlin Conservatory of Music in Cleveland, Ohio. Kuchirchuk donated his entire collection of jazz images of nearly 200 photographs, most of which are negatives that have never been seen by the public, and feature such artists as Billie Holiday, Dizzy Gillespie, Charlie Parker, Art Tatum, Stan Getz, Lester Young, Coleman Hawkins, and Anita O'Day performing at the height of their careers. (Oberlin.edu)

Dead in Hollywood: Dorothy Dandridge (Issue #9) zine coming soon.

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The American Teenager: Natalie Wood

β€œRebel Without a Cause” defined both popular and youth culture upon its release in 1955, giving voice to the American teenager of the 1950’s. Even though Wood has starred in 20 films before turning 16, she is desperate to transition to adult roles. She sees the part of Judy as her ticket into adulthood. Complicating matters is that every actress from Debbie Reynolds to Jayne Mansfield is being considered for the role. Wood's mother pushes her into "dating" the 44-year-old "Rebel" director, Nicholas Ray - her mother waits in the car during Wood and Ray's romps at the Chateau Marmont. Sleeping with the director doesn't even work! It's not until a drunken car crash on Laurel Canyon with Dennis Hopper that Ray to cast considers Wood for the role. Ray visits Wood at the hospital, where the doctor calls Wood a "goddamn juvenile delinquent." Wood yells: "Did you hear what he called me, Nick? He called me a goddamn juvenile delinquent! Now do I get the part?" Wood deserves the credit for transforming Ray’s vision of Wood’s character Judy from a trashy teen to a confused, hurt kid like Wood herself.

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