DEATHIVERSARY: Rebecca Schaeffer

π™Ύπš— πšπš‘πšŽ πš–πš˜πš›πš—πš’πš—πš 𝚘𝚏 π™Ήπšžπš•πš’ 𝟷𝟾, 𝟷𝟿𝟾𝟿, 𝟸𝟷-πš’πšŽπšŠπš›-πš˜πš•πš πšŠπšŒπšπš›πšŽπšœπšœ, πšπšŽπš‹πšŽπšŒπšŒπšŠ πš‚πšŒπš‘πšŠπšŽπšπšπšŽπš›, πš’πšœ πš–πšžπš›πšπšŽπš›πšŽπš πš‹πš’ πšπšŠπš— πšπšžπš›πš—πšŽπš πšœπšπšŠπš•πš”πšŽπš›, π™Ήπš˜πš‘πš— π™±πšŠπš›πšπš˜. π™±πšŠπš›πšπš˜ πšœπš‘πš˜πš˜πšπšœ πš‚πšŒπš‘πšŠπšŽπšπšπšŽπš› 𝚊𝚝 πš™πš˜πš’πš—πš-πš‹πš•πšŠπš—πš” πš›πšŠπš—πšπšŽ πš’πš— πšπš‘πšŽ πšŒπš‘πšŽπšœπš πš˜πš— πšπš‘πšŽ πšπš˜πš˜πš›πšœπšπšŽπš™ 𝚘𝚏 πš‘πšŽπš› πšŠπš™πšŠπš›πšπš–πšŽπš—πš πš‹πšžπš’πš•πšπš’πš—πš. πšƒπš‘πšŽ πš’πš—πšπšŽπš›πšŒπš˜πš– πšπš’πšπš—'𝚝 πš πš˜πš›πš”, 𝚜𝚘 πš‚πšŒπš‘πšŠπšŽπšπšπšŽπš› πš‘πšŠπš 𝚝𝚘 πšŽπš‘πš’πš πš‘πšŽπš› πšŠπš™πšŠπš›πšπš–πšŽπš—πš πšŠπš—πš πšπšŽπšœπšŒπšŽπš—πš 𝚊 πšπš•πš’πšπš‘πš 𝚘𝚏 πšœπšπšŠπš’πš›πšœ 𝚝𝚘 πšπš‘πšŽ πš‹πšžπš’πš•πšπš’πš—πš'𝚜 πšπš•πšŠπšœπšœ πšπš›πš˜πš—πš πšπš˜πš˜πš›πšœ. πš‚πš‘πšŽ'𝚜 πš’πš— 𝚊 πš‹πšŠπšπš‘πš›πš˜πš‹πšŽ, πšπšŽπšπšπš’πš—πš πš›πšŽπšŠπšπš’ 𝚝𝚘 πš–πšŽπšŽπš πš πš’πšπš‘ π™΅πš›πšŠπš—πšŒπš’πšœ π™΅πš˜πš›πš π™²πš˜πš™πš™πš˜πš•πšŠ 𝚝𝚘 πšŠπšžπšπš’πšπš’πš˜πš— πšπš˜πš› "πšƒπš‘πšŽ π™Άπš˜πšπšπšŠπšπš‘πšŽπš› 𝟹." πš‚πš‘πšŽ πš™πš˜πš•πš’πšπšŽπš•πš’ πšŠπšœπš”πšœ π™±πšŠπš›πšπš˜ 𝚝𝚘 πš•πšŽπšŠπšŸπšŽ. π™·πšŽ 𝚐𝚘𝚎𝚜 𝚝𝚘 𝚊 πš—πšŽπšŠπš›πš‹πš’ πšπš’πš—πšŽπš› πšŠπš—πš 𝚜𝚝𝚎𝚠𝚜 πš˜πšŸπšŽπš› 𝚊 πšœπš•πš’πšŒπšŽ 𝚘𝚏 πšŒπš‘πšŽπšŽπšœπšŽπšŒπšŠπš”πšŽ. π™·πšŽ πš›πšŽπšπšžπš›πš—πšœ 𝚝𝚘 πš‚πšŒπš‘πšŠπšŽπšπšπšŽπš›'𝚜 πš‹πšžπš’πš•πšπš’πš—πš πšŠπš— πš‘πš˜πšžπš› πš•πšŠπšπšŽπš›. πšƒπš‘πš’πšœ πšπš’πš–πšŽ πš πš‘πšŽπš— πšœπš‘πšŽ πšŠπš—πšœπš πšŽπš›πšœ πšπš‘πšŽ πšπš˜πš˜πš›, πšœπš‘πšŽ πšŠπšœπš”πšœ πš‘πš’πš– 𝚝𝚘 πš•πšŽπšŠπšŸπšŽ πš‘πšŽπš› πšŠπš•πš˜πš—πšŽ. π™±πšŠπš›πšπš˜ πš›πšŽπšœπš™πš˜πš—πšπšœ πš‹πš’ πšœπšŠπš’πš’πš—πš, "𝙸 πšπš˜πš›πšπš˜πš 𝚝𝚘 πšπš’πšŸπšŽ 𝚒𝚘𝚞 πšπš‘πš’πšœ." π™·πšŽ πš™πšžπš•πš•πšœ 𝚊 πšπšžπš— 𝚘𝚞𝚝 𝚘𝚏 𝚊 πš™πš•πšŠπšœπšπš’πšŒ πš‹πšŠπš πšŠπš—πš πšœπš‘πš˜πš˜πšπšœ πš‘πšŽπš›. π™΅πš˜πš› πšπš‘πšŽ πšπšžπš•πš• πšœπšπš˜πš›πš’, πšŒπš‘πšŽπšŒπš” 𝚘𝚞𝚝 π™³πšŽπšŠπš πš’πš— π™·πš˜πš•πš•πš’πš πš˜πš˜πš: πš‚πšπšŠπš•πš”πšŽπš (π™ΈπšœπšœπšžπšŽ #𝟽).

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Finally Enough Research

This is how I spend my Friday night, researching the life and death of Sharon Tate by candle light. All the bulbs went out in my dining room and I can’t seem to find the right light bulb so at the moment I write by lap top light and candle light. The candelabra is thanks to a good friend of mine who gave it to me as a housewarming present.

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50,000,000 Tab Fans Can't Be Wrong!

I’m back from vacation and I have some very exciting zines and events coming up! So please don’t go anywhere. I’m also happy to announce - and on the deathiversary of Tab Hunter - that I am putting the finishing touches on the zine β€œ50,000,000 Tab Fans Can’t Be Wrong” on the life and death of Hollywood hard on and closeted gay boy, Tab Hunter (for those of you waiting on your orders, I will be doing two big mailings this week - internationally and domestically). Also, if you don’t know who Tab Hunter is you should start watching some of his movies before you check out my zine!

"𝙸 𝚐𝚘𝚝 πšœπš˜πš–πšŽπšπš‘πš’πš—' 𝚝𝚘 πšœπš‘πš˜πš  𝚒𝚊, π™΅πš›πšŠπš—πšŒπš’πš—πšŽ! π™Έπš'𝚜 πš•πš˜πš—πš. π™°πš—πš πš’πš'𝚜 πšœπš•πšŽπšŽπš”. π™°πš—πš πš’πš'𝚜 πš™πš˜πš πšŽπš›πšπšžπš•. π™Έπš'𝚜 πš–πšŠπš‘ πš—πšŽπš  '𝚟𝚎𝚝𝚝𝚎!"

-πšƒπš˜πšπš πšƒπš˜πš–πš˜πš›πš›πš˜πš  πš’πš— πšπš‘πšŽ π™Ήπš˜πš‘πš— πš†πšŠπšπšŽπš›πšœ' πš–πš˜πšŸπš’πšŽ, "π™Ώπš˜πš•πš’πšŽπšœπšπšŽπš›."

Deathiversary: There's Always Todd Tomorrow

π™»πšŠπšœπš πš’πšŽπšŠπš› πš˜πš— π™Ήπšžπš•πš’ πŸΎπšπš‘, 𝟸𝟢𝟷𝟾, πšƒπšŠπš‹ π™·πšžπš—πšπšŽπš› πšπš’πšŽπš 𝚘𝚏 𝚊 πš‘πšŽπšŠπš›πš πšŠπšπšπšŠπšŒπš”. π™·πšŽ 𝚠𝚊𝚜 𝟾𝟼. π™Έπš— πšπš‘πšŽ 𝟷𝟿𝟻𝟢𝚜, π™·πšžπš—πšπšŽπš› πšπšŽπšπš’πš—πšŽπš πšπš‘πšŽ πšπšŽπš›πš– "π™·πš˜πš•πš•πš’πš πš˜πš˜πš π™·πšŽπšŠπš›πšπšπš‘πš›πš˜πš‹." 𝙰 "πšπšŠπš— πšπšŠπšŸπš˜πš›πš’πšπšŽ" πš πš‘πš˜ πšœπš™πšŽπš—πš πš–πš˜πšœπš 𝚘𝚏 πš‘πš’πšœ πš•πš’πšπšŽ πš’πš— πšπš‘πšŽ πšŒπš•πš˜πšœπšŽπš. π™·πšžπš—πšπšŽπš› πšπš’πš—πšŠπš•πš•πš’ πšŒπš˜πš—πšπš’πš›πš–πšŽπš πšπš‘πšŽ "πš•πš˜πš—πš-πšœπšπšŠπš—πšπš’πš—πš πš›πšžπš–πš˜πš›πšœ" 𝚘𝚏 πš‹πšŽπš’πš—πš 𝚐𝚊𝚒 πš’πš— πš‘πš’πšœ 𝟸𝟢𝟢𝟻 πšŠπšžπšπš˜πš‹πš’πš˜πšπš›πšŠπš™πš‘πš’, "πšƒπšŠπš‹ π™·πšžπš—πšπšŽπš› π™²πš˜πš—πšπš’πšπšŽπš—πšπš’πšŠπš•." π™Έπš'𝚜 πš˜πš—πšŽ 𝚘𝚏 𝚝𝚠𝚘 πš‹πš˜πš˜πš”πšœ 𝙸'πš– πš’πš— πšπš‘πšŽ πš–πš’πšπšπš•πšŽ 𝚘𝚏 πš›πšŽπšŠπšπš’πš—πš 𝚊𝚝 πšπš‘πšŽ πš–πš˜πš–πšŽπš—πš - πšπš‘πšŽ πš˜πšπš‘πšŽπš› πš‹πšŽπš’πš—πš "πšƒπš‘πšŽ π™½πš’πšπš‘πš πš‚πšπšŠπš•πš”πšŽπš›: πšƒπš‘πšŽ π™»πš’πšπšŽ πšŠπš—πš π™²πš›πš’πš–πšŽπšœ 𝚘𝚏 πšπš’πšŒπš‘πšŠπš›πš πšπšŠπš–πš’πš›πšŽπš£ "πš‹πš’ π™Ώπš‘πš’πš•πš’πš™ π™²πšŠπš›πš•πš˜. π™·πšžπš—πšπšŽπš› πšœπšŠπš’πš 𝚘𝚏 πš‘πš’πšœ πš‹πš˜πš˜πš”: "𝙸 πšπš‘πš˜πšžπšπš‘πš, 'π™»πš˜πš˜πš”, 𝚐𝚎𝚝 πš’πš πšπš›πš˜πš– πšπš‘πšŽ πš‘πš˜πš›πšœπšŽ'𝚜 πš–πš˜πšžπšπš‘ πšŠπš—πš πš—πš˜πš πšπš›πš˜πš– πšœπš˜πš–πšŽ πš‘πš˜πš›πšœπšŽ'𝚜 𝚊𝚜𝚜 πšŠπšπšπšŽπš› 𝙸'πš– 𝚍𝚎𝚊𝚍 πšŠπš—πš πšπš˜πš—πšŽ.'"

Natalie Saved My Life Tonight

π™Έπš— 𝟷𝟿𝟻𝟻, πšπš‘πšŽ π™ΌπšŠπš•πš’πš‹πšž-πšœπšπš’πš•πšŽπš πš‹πš˜πš’-πš—πšŽπš‘πš-πšπš˜πš˜πš›, πšƒπšŠπš‹ π™·πšžπš—πšπšŽπš›, πš‹πšŽπš•πš’πšŽπšŸπšŽπšœ πšπš‘πšŠπš πš‘πš’πšœ πšŒπšŠπš›πšŽπšŽπš› πš’πšœ πš˜πšŸπšŽπš›. πšƒπš‘πšŽ πšπš˜πšœπšœπš’πš™ πš›πšŠπš π™²πš˜πš—πšπš’πšπšŽπš—πšπš’πšŠπš• 𝚘𝚞𝚝𝚜 πš‘πš’πš– πš’πš— πšŠπš— πš’πš—πš—πšžπšŽπš—πšπš˜-πš•πšŠπšŒπšŽπš πšŠπš›πšπš’πšŒπš•πšŽ πšŠπš‹πš˜πšžπš π™·πšžπš—πšπšŽπš› πš‹πšŽπš’πš—πš πšŠπš›πš›πšŽπšœπšπšŽπš 𝚊𝚝 𝚊 "πš•πš’πš–πš™-πš πš›πš’πšœπšπšŽπš πš™πšŠπš“πšŠπš–πšŠ πš™πšŠπš›πšπš’" πš’πšŽπšŠπš›πšœ πš‹πšŽπšπš˜πš›πšŽ πš‘πšŽ 𝚠𝚊𝚜 πšπšŠπš–πš˜πšžπšœ. π™΅πš˜πš›πšπšžπš—πšŠπšπšŽπš•πš’ πšπš˜πš› πšπš‘πšŽ πš›πš’πšœπš’πš—πš πšœπšπšŠπš› 𝚘𝚏 "π™±πšŠπšπšπš•πšŽ π™²πš›πš’," π™Ώπš‘πš˜πšπš˜πš™πš•πšŠπš’ - 𝚊 πšπšŠπš—πš£πš’πš—πšŽ πš πš’πšπš‘ 𝚊 πš–πšžπšŒπš‘ πš‹πš’πšπšπšŽπš› πšŒπš’πš›πšŒπšžπš•πšŠπšπš’πš˜πš— - πšŒπš˜πš–πšŽπšœ 𝚘𝚞𝚝 𝚊𝚝 πšπš‘πšŽ πšœπšŠπš–πšŽ πšπš’πš–πšŽ πš πš’πšπš‘ πšŠπš— πš’πšœπšœπšžπšŽ πšπšŽπšŠπšπšžπš›πš’πš—πš π™·πšžπš—πšπšŽπš› πšŠπš—πš "πšπšŽπš‹πšŽπš• πš†πš’πšπš‘πš˜πšžπš 𝚊 π™²πšŠπšžπšœπšŽ" πšŠπšŒπšπš›πšŽπšœπšœ π™½πšŠπšπšŠπš•πš’πšŽ πš†πš˜πš˜πš πš˜πš— πšπš‘πšŽ πšŒπš˜πšŸπšŽπš› 𝚊𝚜 πšπš‘πšŽ "πš’πšŽπšŠπš›'𝚜 πš–πš˜πšœπš πš™πš˜πš™πšžπš•πšŠπš› πš—πšŽπš  πšœπšπšŠπš›πšœ." π™·πšžπš—πšπšŽπš› πšŒπš›πšŽπšπš’πšπšœ πš†πš˜πš˜πš πš’πš— πš™πšŠπš›πš πšπš˜πš› πšœπšŠπšŸπš’πš—πš πš‘πš’πšœ πšŒπšŠπš›πšŽπšŽπš›. πšƒπš‘πšŽπš’ 𝚜𝚝𝚊𝚒 πšπš›πš’πšŽπš—πšπšœ πšžπš—πšπš’πš• πš†πš˜πš˜πš'𝚜 πšπšŽπšŠπšπš‘ πš πš‘πšŽπš— πšœπš‘πšŽ πšπš›πš˜πš πš—πšœ 𝚘𝚏𝚏 πšπš‘πšŽ 𝚌𝚘𝚊𝚜𝚝 𝚘𝚏 π™²πšŠπšπšŠπš•πš’πš—πšŠ π™Έπšœπš•πšŠπš—πš πšžπš—πšπšŽπš› πš–πš’πšœπšπšŽπš›πš’πš˜πšžπšœ πšŒπš’πš›πšŒπšžπš–πšœπšπšŠπš—πšŒπšŽπšœ.

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Tab Hunter Has a Secret

"π™Έπš πšπš˜πš˜πš” πš–πšŽ πš–πšžπšŒπš‘ 𝚝𝚘𝚘 πš•πš˜πš—πš 𝚝𝚘 πšžπš—πšπšŽπš›πšœπšπšŠπš—πš πš‘πš˜πš  πš’πš πšŒπš˜πšžπš•πš πš‹πšŽ πšžπš—πšπš’πš• 𝚒𝚘𝚞 πšœπš‘πšŠπš›πšŽπš πš’πš˜πšžπš› πšœπšŽπšŒπš›πšŽπš πš πš’πšπš‘ πš–πšŽ. πš‚πš˜πš–πšŽπšπš‘πš’πš—πš'𝚜 πšŒπš˜πš–πš’πš—' πš˜πšŸπšŽπš›, πš–πš–πš– πš–πš–πš–... πšœπš˜πš–πšŽπšπš‘πš’πš—πš'𝚜 πšŒπš˜πš–πš’πš—' πš˜πšŸπšŽπš›, πš–πš–πš– πš–πš–πš–... πšœπš˜πš–πšŽπšπš‘πš’πš—πš'𝚜 πšŒπš˜πš–πš’πš—' πš˜πšŸπšŽπš› πš–πšŽ. π™Όπš’ πš‹πšŠπš‹πš’'𝚜 𝚐𝚘𝚝 𝚊 πšœπšŽπšŒπš›πšŽπš."

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Deathiversary: Gil Scott-Heron (May 27, 2011)

π™Άπš’πš• πš‚πšŒπš˜πšπš-π™·πšŽπš›πš˜πš— (April 1, 1949 – May 27, 2011) πšœπš˜πšžπš• πšŠπš—πš πš“πšŠπš£πš£ πš™πš˜πšŽπš, πš–πšžπšœπš’πšŒπš’πšŠπš—, πšŠπš—πš πšŠπšžπšπš‘πš˜πš›, πš”πš—πš˜πš πš— πš™πš›πš’πš–πšŠπš›πš’πš•πš’ πšπš˜πš› πš‘πš’πšœ πš πš˜πš›πš” 𝚊𝚜 𝚊 πšœπš™πš˜πš”πšŽπš—-πš πš˜πš›πš πš™πšŽπš›πšπš˜πš›πš–πšŽπš› πš’πš— πšπš‘πšŽ 𝟷𝟿𝟽𝟢𝚜 πšŠπš—πš 𝟷𝟿𝟾𝟢𝚜, πšπš’πšŽπšœ πš˜πš— πšπš‘πšŽ πšŠπšπšπšŽπš›πš—πš˜πš˜πš— 𝚘𝚏 π™ΌπšŠπš’ 𝟸𝟽, 𝟸𝟢𝟷𝟷, πšŠπšπšπšŽπš› πš‹πšŽπšŒπš˜πš–πš’πš—πš πš’πš•πš• πšžπš™πš˜πš— πš›πšŽπšπšžπš›πš—πš’πš—πš πšπš›πš˜πš– 𝚊 π™΄πšžπš›πš˜πš™πšŽπšŠπš— πšπš›πš’πš™. πš‚πšŒπš˜πšπš-π™·πšŽπš›πš˜πš— πšŒπš˜πš—πšπš’πš›πš–πšœ πš™πš›πšŽπšŸπš’πš˜πšžπšœ πš™πš›πšŽπšœπšœ πšœπš™πšŽπšŒπšžπš•πšŠπšπš’πš˜πš— πšŠπš‹πš˜πšžπš πš‘πš’πšœ πš‘πšŽπšŠπš•πšπš‘ πš πš‘πšŽπš— πš‘πšŽ πšπš’πšœπšŒπš•πš˜πšœπšŽπšœ πš’πš— 𝚊 𝟸𝟢𝟢𝟾 π™½πšŽπš  πšˆπš˜πš›πš” π™ΌπšŠπšπšŠπš£πš’πš—πšŽ πš’πš—πšπšŽπš›πšŸπš’πšŽπš  πšπš‘πšŠπš πš‘πšŽ πš’πšœ π™·π™Έπš…-πš™πš˜πšœπš’πšπš’πšŸπšŽ. πšƒπš‘πšŽ πš›πšŽπšŸπš˜πš•πšžπšπš’πš˜πš— πš πš’πš•πš• πš—πš˜πš πš‹πšŽ πšπšŽπš•πšŽπšŸπš’πšœπšŽπš.

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L.A. ZINE FEST THIS SUNDAY!

π™·πšŽπš•πš–πšœ π™±πšŠπš”πšŽπš›πš’ πš‹πšžπš’πš•πšπš’πš—πš (𝟾𝟽𝟷𝟷 πš†πšŠπšœπš‘πš’πš—πšπšπš˜πš— π™±πš•πšŸπš., π™²πšžπš•πšŸπšŽπš› π™²πš’πšπš’, 𝙲𝙰 𝟿𝟢𝟸𝟹𝟸)

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Dead in England: St. Dunstan's Churchyard

π™³πšŽπš‹πšžπšπš’πš—πš πš–πš’ πš•πšŠπšπšŽπšœπš πš£πš’πš—πšŽ, "π™³πšŽπšŠπš πš’πš— π™΄πš—πšπš•πšŠπš—πš: πš‚πš. π™³πšžπš—πšœπšπšŠπš—'𝚜 π™²πš‘πšžπš›πšŒπš‘πš’πšŠπš›πš" πšπš‘πš’πšœ πš‚πšžπš—πšπšŠπš’, π™ΌπšŠπš’ πŸΈπŸΌπšπš‘ 𝚊𝚝 πšπš‘πšŽ 𝙻.𝙰. πš‰πš’πš—πšŽ π™΅πšŽπšœπš 𝚊𝚝 πšπš‘πšŽ π™·πšŽπš•πš–πšœ π™±πšŠπš”πšŽπš›πš’ πš‹πšžπš’πš•πšπš’πš—πš (𝟾𝟽𝟷𝟷 πš†πšŠπšœπš‘πš’πš—πšπšπš˜πš— π™±πš•πšŸπš., π™²πšžπš•πšŸπšŽπš› π™²πš’πšπš’, 𝙲𝙰 𝟿𝟢𝟸𝟹𝟸). πš‚πšπš˜πš™ πš‹πš’ πšŠπš—πš 𝚜𝚊𝚒 πš‘πš’ πšŠπš—πš πš™πš’πšŒπš” πšžπš™ πšœπš˜πš–πšŽ πš£πš’πš—πšŽπšœ! 𝙸 πš™πš›πš˜πš–πš’πšœπšŽ 𝚒𝚘𝚞, πš’πš'πš•πš• πš‹πšŽ πšπš‘πšŽ πš–πš˜πšœπš πšπšžπš— 𝚒𝚘𝚞 πš‘πšŠπšŸπšŽ πšπš‘πš’πšœ πš‚πšžπš—πšπšŠπš’! 

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LA ZINE FEST: DEAD IN ENGLAND (NEXT WEEKEND!)

𝙳𝙴𝙰𝙳 𝙸𝙽 𝙴𝙽𝙢𝙻𝙰𝙽𝙳: πš‚πšƒ. π™³πš„πš‚πšƒπ™°π™½ π™²π™·πš„πšπ™²π™·πšˆπ™°πšπ™³ (π™ΈπšœπšœπšžπšŽ 𝟷𝟻) π™Ώπš›πšŽπš–πš’πšŽπš›πš’πš—πš 𝚊𝚝 πšπš‘πšŽ πŸΎπšπš‘ πšŠπš—πš—πšžπšŠπš• 𝙻.𝙰. πš‰πš’πš—πšŽ π™΅πšŽπšœπš πš—πšŽπš‘πš πš‚πšžπš—πšπšŠπš’, π™ΌπšŠπš’ 𝟸𝟼 (𝟷𝟸 πš™.πš–. 𝚝𝚘 𝟼 πš™πš–) 𝚊𝚝 πšπš‘πšŽ π™·πšŽπš•πš–πšœ π™±πšŠπš”πšŽπš›πš’ πš‹πšžπš’πš•πšπš’πš—πš (𝟾𝟽𝟷𝟷 πš†πšŠπšœπš‘πš’πš—πšπšπš˜πš— π™±πš•πšŸπš, π™²πšžπš•πšŸπšŽπš› π™²πš’πšπš’, 𝟿𝟢𝟸𝟹𝟸).

Let's go...

Last night I was working on the upcoming zine "Dead in Hollywood: The Crucifixion of George Michael (Issue #11) when I spilled a glass of water on my laptop, frying it. I lost everything! Or so I thought. Spending three dollars a month on iCloud storage space turned out to be quite the bargain. The laptop was not so lucky. I'm still hoping to finish the issue before the L.A. Zine Fest on May 26th. I pray to George Michael that I will. "The Crucifixion of George Michael" will focus on Michael's arrest on April 8, 1998, for a "lewd act" in a public restroom in a Beverly Hills park, forcing the pop icon out of the closet. Michael's helped me come to terms with my own sexuality. At 13, my conservative, Trump-loving uncle bought me Michael's "Faith" album for Christmas. He's never really spoken to me after I came out years later in 1998. It's not just pop icons and mythical religious figures who are shunned and crucified. BTW, that uncle also introduced me to En Vogue's "Funky Divas" album on a road trip to Mexico when I was 14. Maybe I'll send him a copy of the zine when I'm finished. Maybe it'll free his mind and help heal the pain. DEAD IN HOLLYWOOD: THE CRUCIFIXION OF GEORGE MICHAEL (ISSUE #11) COMING SOON TO THE WILL ROGERS MEMORIAL PARK IN BEVERLY HILLS.

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DEAD IN MPLS: PRINCE (Coming Soon!)

𝙸 πš†π™Έπš‚π™· πšˆπ™Ύπš„ π™·π™΄π™°πš…π™΄π™½: πšƒπš πš˜ πš πšŽπšŽπš”πšœ 𝚊𝚐𝚘 πš˜πš— πš–πš’ πš‹πš’πš›πšπš‘πšπšŠπš’, πš–πš’ πš‘πšžπšœπš‹πšŠπš—πš πšœπšžπš›πš™πš›πš’πšœπšŽπš πš–πšŽ πš πš’πšπš‘ 𝚊 πšπš›πš’πš™ 𝚝𝚘 π™Ώπš›πš’πš—πšŒπšŽ'𝚜 π™ΏπšŠπš’πšœπš•πšŽπš’ π™ΏπšŠπš›πš” πš‘πš˜πš–πšŽ/πšœπšπšžπšπš’πš˜ πš˜πš— πšπš‘πšŽ πŸΉπš›πš πšŠπš—πš—πš’πšŸπšŽπš›πšœπšŠπš›πš’ 𝚘𝚏 πš‘πš’πšœ πšπšŽπšŠπšπš‘. π™ΏπšŠπš’πšœπš•πšŽπš’ π™ΏπšŠπš›πš” πš‘πšŠπšœ πš‘πšŽπš•πš 𝚊 πšœπš™πšŽπšŒπš’πšŠπš• πš™πš•πšŠπšŒπšŽ πš’πš— πš–πš’ πš‘πšŽπšŠπš›πš πšŽπšŸπšŽπš› πšœπš’πš—πšŒπšŽ πš–πš’ πš™πšŠπš›πšŽπš—πšπšœ πš‹πš˜πšžπšπš‘πš πš–πšŽ πšπš‘πšŽ π™Ώπš›πš’πš—πšŒπšŽ 𝙲𝙳-πšπ™Ύπ™Ό πšπšŠπš–πšŽ "π™Έπš—πšπšŽπš›πšŠπšŒπšπš’πšŸπšŽ" πš’πš— 𝟷𝟿𝟿𝟺. π™Έπš—πšœπšπšŽπšŠπš 𝚘𝚏 πš™πš•πšŠπš’πš’πš—πš πš’πš— πšπš‘πšŽ πšœπšžπš—πšœπš‘πš’πš—πšŽ πšπš‘πšŠπš πšœπšžπš–πš–πšŽπš›, 𝙸 πš πšŠπš—πšπšŽπš›πšŽπš πšπš‘πšŽ πš–πš’πšπš‘πš’πšŒπšŠπš• πš‘πšŠπš•πš•πšœ 𝚘𝚏 π™ΏπšŠπš’πšœπš•πšŽπš’ π™ΏπšŠπš›πš” πšπš˜πš› πš πšŽπšŽπš”πšœ πš˜πš— πšŽπš—πš, πšžπš—πš•πš˜πšŒπš”πš’πš—πš πšŽπšŠπšœπšπšŽπš› 𝚎𝚐𝚐𝚜 πšŠπš—πš πšŽπš‘πš™πš•πš˜πš›πš’πš—πš π™Ώπš›πš’πš—πšŒπšŽ'𝚜 πšŸπš’πš›πšπšžπšŠπš• πš›πšŽπšŒπš˜πš›πšπš’πš—πš πšœπšπšžπšπš’πš˜ πš’πš— πš‘πš˜πš™πšŽπšœ 𝚘𝚏 πšπš’πš—πšπš’πš—πš πšŠπš—πšœπš πšŽπš›πšœ 𝚝𝚘 πšπš‘πšŽ πšŽπš—πš’πšπš–πšŠ πšπš‘πšŠπš 𝚠𝚊𝚜 π™Ώπš›πš’πš—πšŒπšŽ. 𝙳𝙴𝙰𝙳 𝙸𝙽 π™Όπ™Ώπ™»πš‚: π™Ώπšπ™Έπ™½π™²π™΄ (π™ΈπšœπšœπšžπšŽ #𝟷𝟺) πšπš˜πš•πš•πš˜πš πšœ πš–πš’ πš›πšŽπšŠπš• πš•πš’πšπšŽ πš“πš˜πšžπš›πš—πšŽπš’ πš’πš—πšπš˜ πšπš‘πšŽ πšœπš™πš˜πš˜πš”πš’ πšŽπš•πšŽπšŒπšπš›πš’πšŒ πš πš‘πšŽπš›πšŽ πšŠπšπš–πš’πšœπšœπš’πš˜πš— πš’πšœ 𝚎𝚊𝚜𝚒 πš’πš 𝚒𝚘𝚞 πš“πšžπšœπš 𝚜𝚊𝚒 𝚒𝚘𝚞 πš‹πšŽπš•πš’πšŽπšŸπšŽ πšŠπš—πš πš πš‘πšŽπš›πšŽ 𝙸 πšπš’πš—πšŠπš•πš•πš’ πšπš˜πš›πšπš’πšŸπšŽ πš‘πš’πš– πšŠπš—πš 𝚜𝚎𝚝 πš–πš’ 𝟷𝟺-πš’πšŽπšŠπš›-πš˜πš•πš πšœπšŽπš•πš πšπš›πšŽπšŽ. πš†πš˜πš—'𝚝 𝚒𝚘𝚞 πšπš˜πš•πš•πš˜πš  πš–πšŽ πšπš˜πš πš— 𝚝𝚘 π™°πš•πš™πš‘πšŠπš‹πšŽπš πš‚πšπš›πšŽπšŽπš? πš†πšŽπš•πšŒπš˜πš–πšŽ 𝟸 πšπš‘πšŽ πšπšŠπš πš—. 

MOLAA Print and Art Fair (4-28-19)

Yesterday’s Print and Art Fair at the Museum of Latin American Art in Long Beach, CA was a huge success. I met some really awesome people - my table mate and I even shared the same name… first and last if you can believe it! If you’re in need of inspiration look no further than an art fair or zine fest. They’re everywhere and usually free. I’m feeling very inspired heading into the next three issues of Dead in Hollywood.

Fold. Staple. Repeat.

Cha, cha, cha... join us tomorrow in Long Beach, CA from 11AM - 5PM for the π™Ώπš›πš’πš—πš π™΅πšŠπš’πš› & π™΅πšŽπšœπšπš’πšŸπšŠπš• 𝚊𝚝 πšπš‘πšŽ π™ΌπšžπšœπšŽπšžπš– 𝚘𝚏 π™»πšŠπšπš’πš— π™°πš–πšŽπš›πš’πšŒπšŠπš— π™°πš›πš. It’s free and it’s going to really fucking cool! Art work on the walls, zines on the tables. And my first Spanish edition of Dead in Hollywood…  MπšžπšŽπš›πšπš˜ πšŽπš— π™·πš˜πš•πš•πš’πš πš˜πš˜πš: π™»πšžπš™πšŽ πš…Γ©πš•πšŽπš£ 𝚠𝚊𝚜 πšπš›πšŠπš—πšœπš•πšŠπšπšŽπš πš‹πš’ πšπš‘πšŽ πšŠπš–πšŠπš£πš’πš—πš πšŠπš—πš πšπšŠπš•πšŽπš—πšπšŽπš πšπš’πšŠπš— πšƒπšŠπšŒπšŠπšπšŠ!  

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Tomorrow! Dead in Hollywood at MOLAA in Long Beach, CA

Join us tomorrow from 11AM - 5PM at the Museum of Latin American Art for the Print Fair & Festival where Dead in Hollywood will be tabling. We’ll be premiering the latest three issues on NATALIE WOOD, DOROTHY DANDRIDGE, and an English and Spanish editions of LUPE VELEZ. (MOLAA - 𝟼𝟸𝟾 π™°πš•πšŠπš–πš’πšπš˜πšœ π™°πšŸπšŽ, π™»πš˜πš—πš π™±πšŽπšŠπšŒπš‘, 𝙲𝙰 𝟿𝟢𝟾𝟢𝟸)

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