Dead in Hollywood: Marilyn of Avalon

Pick up a copy of our latest issue of the fanzine Dead in Hollywood: Marilyn of Avalon (Issue #11). We’ll be tabling at tomorrow’s 2019 Long Beach Zine Fest. If anyone is in Long Beach, CA tomorrow stop by and say hi. I’d love to meet more of you! We’ll be at Expo Arts Center 4321 Atlantic AveLong Beach, CA 90807 from 11am-5pm.

Marilyn of the Morgue

πšƒπš πš˜ πš›πš˜πš•πš•πšœ 𝚘𝚏 πšπš’πš•πš– πšπšŽπšŠπšπšžπš›πš’πš—πš πš™πš‘πš˜πšπš˜πšœ 𝚘𝚏 π™ΌπšŠπš›πš’πš•πš’πš— π™Όπš˜πš—πš›πš˜πšŽ'𝚜 πš—πšŠπš”πšŽπš πšŒπš˜πš›πš™πšœπšŽ πš‘πšŠπšŸπšŽ πš›πšŽπš–πšŠπš’πš—πšŽπš πš‘πš’πšπšπšŽπš— πšπš˜πš› πš—πšŽπšŠπš›πš•πš’ πšœπš’πš‘ 𝚍𝚎𝚌𝚊𝚍𝚎𝚜 πšŠπšπšπšŽπš› πš‘πšŽπš› πšπšŽπšŠπšπš‘. "πš‚πšŒπšŠπš—πšπšŠπš•πš˜πšžπšœ: πšƒπš‘πšŽ π™³πšŽπšŠπšπš‘ 𝚘𝚏 π™ΌπšŠπš›πš’πš•πš’πš— π™Όπš˜πš—πš›πš˜πšŽ," 𝚊 𝚍𝚘𝚌𝚞-πšœπšŽπš›πš’πšŽπšœ πš™πš›πšŽπš–πš’πšŽπš›πš’πš—πš πš‚πšžπš—πšπšŠπš’, πšπšŽπšŠπšπšžπš›πšŽπšœ πšŠπš— πš’πš—πšπšŽπš›πšŸπš’πšŽπš  πš πš’πšπš‘ πšπš‘πšŽ πšœπš˜πš— 𝚘𝚏 πšπš‘πšŽ πš™πš‘πš˜πšπš˜πšπš›πšŠπš™πš‘πšŽπš› πš πš‘πš˜ πšŒπšŠπš™πšπšžπš›πšŽπš πšπš‘πšŽ πš’πš–πšŠπšπšŽπšœ 𝚘𝚏 πšπš‘πšŽ π™·πš˜πš•πš•πš’πš πš˜πš˜πš πš’πšŒπš˜πš— 𝚊𝚜 πšœπš‘πšŽ πš•πšŠπš’ πš˜πš— 𝚊 πšπš›πšŠπš’ πš’πš—πšœπš’πšπšŽ 𝚊 π™»πš˜πšœ π™°πš—πšπšŽπš•πšŽπšœ πš–πš˜πš›πšπšžπšŽ.

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Dead in Hollywood: Coming Soon!

Hello Deaders,

Hard at work on the next 4 Dead in Hollywood fanzines! β€œMarilyn of Avalon” will tell the story of Marilyn Monroe’s year and a half living on the island of Catalina off the coast of Southern California. β€œThe Crucifixion of George Michael” will focus on that infamous day when George Michael was arrested for β€œlewd conduct” in a Beverly Hills restroom. β€œPrince” will be a tribute to the life of one of my favs and my journey this past April to Prince’s home and studio Paisley Park. β€œThe Night Stalker” will be an in-depth retelling of one of California’s most horrifying serial killers, Richard Ramirez.

Sleep tight, Dead in Hollywood

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Upcoming Events!

π™³πšŽπšŠπš πš’πš— π™·πš˜πš•πš•πš’πš πš˜πš˜πš'𝚜 πšŽπš‘πšŒπš’πšπšŽπš 𝚝𝚘 πšŠπš—πš—πš˜πšžπš—πšŒπšŽ 𝟻 πšžπš™πšŒπš˜πš–πš’πš—πš πšŽπšŸπšŽπš—πšπšœ πš˜πšŸπšŽπš› πšπš‘πšŽ πš—πšŽπš‘πš πšŒπš˜πšžπš™πš•πšŽ 𝚘𝚏 πš–πš˜πš—πšπš‘πšœ:

π™°πšžπšπšžπšœπš 𝟷𝟢: π™³πšŽπšŠπš πš’πš— π™·πš˜πš•πš•πš’πš πš˜πš˜πš: π™Ύπš— π™ΈπšŒπšŽ! - 𝙰 πš‚πš•πš’πšπšŽπšœπš‘πš˜πš 

π™°πšžπšπšžπšœπš 𝟸𝟺: πšƒπš‘πšŽ 𝙾𝙲 πš‰πš’πš—πšŽ π™΅πšŽπšœπš

πš‚πšŽπš™πšπšŽπš–πš‹πšŽπš› 𝟾: π™»πš˜πš—πš π™±πšŽπšŠπšŒπš‘ πš‰πš’πš—πšŽ π™΅πšŽπšœπš

π™ΎπšŒπšπš˜πš‹πšŽπš› 𝟷𝟸: π™Ώπš˜πš–πš˜πš—πšŠ πš‰πš’πš—πšŽ π™΅πšŽπšœπš

π™ΎπšŒπšπš˜πš‹πšŽπš› 𝟸𝟼: π™Όπš’πšœπšπšŽπš›πš’ π™΄πšŸπšŽπš—πš... πšπšŽπšπšŠπš’πš•πšœ 𝚝𝚘 πšπš˜πš•πš•πš˜πš !

π™·πš˜πš™πšŽ 𝚝𝚘 𝚜𝚎𝚎 𝚒𝚘𝚞 πšŠπš•πš• 𝚊𝚝 πš˜πš—πšŽ πš˜πš› πš–πš˜πš›πšŽ 𝚘𝚏 πšπš‘πšŽπšœπšŽ πšŽπšŸπšŽπš—πšπšœ! (π™Όπš˜πš›πšŽ πšŽπšŸπšŽπš—πšπšœ 𝚝𝚘 πš‹πšŽ 𝚊𝚍𝚍𝚎𝚍!)

50,000,000 Tab Fans Can't Be Wrong!

πšƒπšŠπš‹ π™·πšžπš—πšπšŽπš› πšŒπš›πšŽπšπš’πšπšœ π™½πšŠπšπšŠπš•πš’πšŽ πš†πš˜πš˜πš πšπš˜πš› πšœπšŠπšŸπš’πš—πš πš‘πš’πšœ πšŒπšŠπš›πšŽπšŽπš›. π™΅πš’πš—πš 𝚘𝚞𝚝 πš πš‘πš’ πš’πš— π™³πšŽπšŠπš πš’πš— π™·πš˜πš•πš•πš’πš πš˜πš˜πš: "𝟻𝟢,𝟢𝟢𝟢,𝟢𝟢𝟢 πšƒπšŠπš‹ π™΅πšŠπš—πšœ π™²πšŠπš—'𝚝 π™±πšŽ πš†πš›πš˜πš—πš" (π™ΈπšœπšœπšžπšŽ 𝟿) π™²πš˜πš–πš’πš—πš 𝚘𝚞𝚝 πšœπš˜πš˜πš—.

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DEATHIVERSARY: Rebecca Schaeffer

π™Ύπš— πšπš‘πšŽ πš–πš˜πš›πš—πš’πš—πš 𝚘𝚏 π™Ήπšžπš•πš’ 𝟷𝟾, 𝟷𝟿𝟾𝟿, 𝟸𝟷-πš’πšŽπšŠπš›-πš˜πš•πš πšŠπšŒπšπš›πšŽπšœπšœ, πšπšŽπš‹πšŽπšŒπšŒπšŠ πš‚πšŒπš‘πšŠπšŽπšπšπšŽπš›, πš’πšœ πš–πšžπš›πšπšŽπš›πšŽπš πš‹πš’ πšπšŠπš— πšπšžπš›πš—πšŽπš πšœπšπšŠπš•πš”πšŽπš›, π™Ήπš˜πš‘πš— π™±πšŠπš›πšπš˜. π™±πšŠπš›πšπš˜ πšœπš‘πš˜πš˜πšπšœ πš‚πšŒπš‘πšŠπšŽπšπšπšŽπš› 𝚊𝚝 πš™πš˜πš’πš—πš-πš‹πš•πšŠπš—πš” πš›πšŠπš—πšπšŽ πš’πš— πšπš‘πšŽ πšŒπš‘πšŽπšœπš πš˜πš— πšπš‘πšŽ πšπš˜πš˜πš›πšœπšπšŽπš™ 𝚘𝚏 πš‘πšŽπš› πšŠπš™πšŠπš›πšπš–πšŽπš—πš πš‹πšžπš’πš•πšπš’πš—πš. πšƒπš‘πšŽ πš’πš—πšπšŽπš›πšŒπš˜πš– πšπš’πšπš—'𝚝 πš πš˜πš›πš”, 𝚜𝚘 πš‚πšŒπš‘πšŠπšŽπšπšπšŽπš› πš‘πšŠπš 𝚝𝚘 πšŽπš‘πš’πš πš‘πšŽπš› πšŠπš™πšŠπš›πšπš–πšŽπš—πš πšŠπš—πš πšπšŽπšœπšŒπšŽπš—πš 𝚊 πšπš•πš’πšπš‘πš 𝚘𝚏 πšœπšπšŠπš’πš›πšœ 𝚝𝚘 πšπš‘πšŽ πš‹πšžπš’πš•πšπš’πš—πš'𝚜 πšπš•πšŠπšœπšœ πšπš›πš˜πš—πš πšπš˜πš˜πš›πšœ. πš‚πš‘πšŽ'𝚜 πš’πš— 𝚊 πš‹πšŠπšπš‘πš›πš˜πš‹πšŽ, πšπšŽπšπšπš’πš—πš πš›πšŽπšŠπšπš’ 𝚝𝚘 πš–πšŽπšŽπš πš πš’πšπš‘ π™΅πš›πšŠπš—πšŒπš’πšœ π™΅πš˜πš›πš π™²πš˜πš™πš™πš˜πš•πšŠ 𝚝𝚘 πšŠπšžπšπš’πšπš’πš˜πš— πšπš˜πš› "πšƒπš‘πšŽ π™Άπš˜πšπšπšŠπšπš‘πšŽπš› 𝟹." πš‚πš‘πšŽ πš™πš˜πš•πš’πšπšŽπš•πš’ πšŠπšœπš”πšœ π™±πšŠπš›πšπš˜ 𝚝𝚘 πš•πšŽπšŠπšŸπšŽ. π™·πšŽ 𝚐𝚘𝚎𝚜 𝚝𝚘 𝚊 πš—πšŽπšŠπš›πš‹πš’ πšπš’πš—πšŽπš› πšŠπš—πš 𝚜𝚝𝚎𝚠𝚜 πš˜πšŸπšŽπš› 𝚊 πšœπš•πš’πšŒπšŽ 𝚘𝚏 πšŒπš‘πšŽπšŽπšœπšŽπšŒπšŠπš”πšŽ. π™·πšŽ πš›πšŽπšπšžπš›πš—πšœ 𝚝𝚘 πš‚πšŒπš‘πšŠπšŽπšπšπšŽπš›'𝚜 πš‹πšžπš’πš•πšπš’πš—πš πšŠπš— πš‘πš˜πšžπš› πš•πšŠπšπšŽπš›. πšƒπš‘πš’πšœ πšπš’πš–πšŽ πš πš‘πšŽπš— πšœπš‘πšŽ πšŠπš—πšœπš πšŽπš›πšœ πšπš‘πšŽ πšπš˜πš˜πš›, πšœπš‘πšŽ πšŠπšœπš”πšœ πš‘πš’πš– 𝚝𝚘 πš•πšŽπšŠπšŸπšŽ πš‘πšŽπš› πšŠπš•πš˜πš—πšŽ. π™±πšŠπš›πšπš˜ πš›πšŽπšœπš™πš˜πš—πšπšœ πš‹πš’ πšœπšŠπš’πš’πš—πš, "𝙸 πšπš˜πš›πšπš˜πš 𝚝𝚘 πšπš’πšŸπšŽ 𝚒𝚘𝚞 πšπš‘πš’πšœ." π™·πšŽ πš™πšžπš•πš•πšœ 𝚊 πšπšžπš— 𝚘𝚞𝚝 𝚘𝚏 𝚊 πš™πš•πšŠπšœπšπš’πšŒ πš‹πšŠπš πšŠπš—πš πšœπš‘πš˜πš˜πšπšœ πš‘πšŽπš›. π™΅πš˜πš› πšπš‘πšŽ πšπšžπš•πš• πšœπšπš˜πš›πš’, πšŒπš‘πšŽπšŒπš” 𝚘𝚞𝚝 π™³πšŽπšŠπš πš’πš— π™·πš˜πš•πš•πš’πš πš˜πš˜πš: πš‚πšπšŠπš•πš”πšŽπš (π™ΈπšœπšœπšžπšŽ #𝟽).

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Tab Hunter and Dick

π™°πšπšπšŽπš› πš‹πšŽπš’πš—πš πšπš’πšœπšŒπš‘πšŠπš›πšπšŽπš πšπš›πš˜πš– πšπš‘πšŽ π™²πš˜πšŠπšœπš π™ΆπšžπšŠπš›πš 𝚊𝚝 𝟷𝟻, π™·πšžπš—πšπšŽπš›, 𝚊 πš•πš˜πš—πšŽπš› πš πš‘πš˜ πš’πšœ πšœπšπšŠπš›πšπš’πš—πš 𝚝𝚘 πš›πšŽπšŠπš•πš’πš£πšŽ πšπš‘πšŠπš πš‘πšŽ πš’πšœ β€œπšπš’πšπšπšŽπš›πšŽπš—πš" πšπš›πš˜πš– πšπš‘πšŽ πš˜πšπš‘πšŽπš› πš‹πš˜πš’πšœ, πšœπš™πšŽπš—πšπšœ πš–πš˜πšœπš 𝚘𝚏 πš‘πš’πšœ πšπš’πš–πšŽ 𝚊𝚝 πšπš‘πšŽ πš•πš˜πšŒπšŠπš• πš‘πš˜πš›πšœπšŽ πšœπšπšŠπš‹πš•πšŽπšœ πš πš‘πšŽπš›πšŽ πš‘πšŽ πš–πšŽπšŽπšπšœ πšŠπšŒπšπš˜πš› π™³πš’πšŒπš” π™²πš•πšŠπš’πšπš˜πš— - π™²πš•πšŠπš’πšπš˜πš— πš’πšœ πš‹πšŽπšπšπšŽπš› πš”πš—πš˜πš πš— πšπš˜πš› πš‹πšŽπš’πš—πš 𝚊 πšπšŠπš•πšŽπš—πš πšŠπšπšŽπš—πš 𝚝𝚘 πš’πšŒπš˜πš—πšœ πš•πš’πš”πšŽ π™ΉπšŠπš–πšŽπšœ π™³πšŽπšŠπš—, π™ΉπšŠπš—πšŽ π™΅πš˜πš—πšπšŠ, πšŠπš—πš π™±πšžπš›πš πšπšŽπš’πš—πš˜πš•πšπšœ. π™²πš•πšŠπš’πšπš˜πš— πšŽπš—πšŒπš˜πšžπš›πšŠπšπšŽπšœ π™·πšžπš—πšπšŽπš› β€” πšπš‘πšŽπš— πšœπšπš’πš•πš• π™°πš›πšπš‘πšžπš› π™°πš—πšπš›πšŽπš  π™ΆπšŽπš•πš’πšŽπš— β€” 𝚝𝚘 πšŒπš˜πš—πšœπš’πšπšŽπš› 𝚊 πšŒπšŠπš›πšŽπšŽπš› πš’πš— πšŠπšŒπšπš’πš—πš πšŠπš—πš 𝚜𝚎𝚝𝚜 πš‘πš’πš– πšžπš™ πš πš’πšπš‘ πšœπšžπš™πšŽπš›-πšŠπšπšŽπš—πš π™·πšŽπš—πš›πš’ πš†πš’πš•πš•πšœπš˜πš—. πš†πš’πš•πšœπš˜πš— πš›πšŽπš™πš›πšŽπšœπšŽπš—πšπšœ π™·πš˜πš•πš•πš’πš πš˜πš˜πš πš‘πšŽπšŠπš›πšπšπš‘πš›πš˜πš‹πšœ πš•πš’πš”πšŽ πšπš˜πš‹πšŽπš›πš πš†πšŠπšπš—πšŽπš› πšŠπš—πš πšπš˜πšŒπš” π™·πšžπšπšœπš˜πš—. β€πšƒπš‘πšŽπš›πšŽ πš πš˜πšžπš•πš πš‹πšŽ πš—πš˜ πšƒπšŠπš‹ π™·πšžπš—πšπšŽπš› πš’πš πš’πš πš πšŽπš›πšŽ πš—πš˜πš πšπš˜πš› π™³πš’πšŒπš” π™²πš•πšŠπš’πšπš˜πš—,” π™·πšžπš—πšπšŽπš› πš•πšŠπšπšŽπš› 𝚜𝚊𝚒𝚜.

MOLAA Print and Art Fair (4-28-19)

Yesterday’s Print and Art Fair at the Museum of Latin American Art in Long Beach, CA was a huge success. I met some really awesome people - my table mate and I even shared the same name… first and last if you can believe it! If you’re in need of inspiration look no further than an art fair or zine fest. They’re everywhere and usually free. I’m feeling very inspired heading into the next three issues of Dead in Hollywood.

The First Time...

πšƒπš˜πš—πš’πšπš‘πš 𝚠𝚊𝚜 πš–πš’ πšπš’πš›πšœπš πšπš’πš–πšŽ πš‘πš˜πš•πšπš’πš—πš 𝚊 πš‘πšŠπš›πš πšŒπš˜πš™πš’ 𝚘𝚏 "π™³πšŽπšŠπš πš’πš— π™·πš˜πš•πš•πš’πš πš˜πš˜πš: π™³πš˜πš›πš˜πšπš‘πš’ π™³πšŠπš—πšπš›πš’πšπšπšŽ π™»πš’πšŸπšŽπšœ π™·πšŽπš›πšŽ." 𝙸 πšŒπšŠπš—'𝚝 πš‹πšŽπšπš’πš— 𝚝𝚘 πšπšŽπšœπšŒπš›πš’πš‹πšŽ πš‘πš˜πš  𝚐𝚘𝚘𝚍 πšπš‘πšŠπš πšπšŽπšŽπš•πšœ πšŠπšπšπšŽπš› πšœπš™πšŽπš—πšπš’πš—πš πš–πš˜πš—πšπš‘πšœ πš πš˜πš›πš”πš’πš—πš πš˜πš— πš’πš πšπš’πšπš’πšπšŠπš•πš•πš’. 𝙸 πšœπš™πšŽπš—πš 𝚊 πš•πš˜πš 𝚘𝚏 πšπš’πš–πšŽ πš˜πš— πšπš‘πš’πšœ πš’πšœπšœπšžπšŽ. π™Έπš'𝚜 πš™πš›πš˜πš‹πšŠπš‹πš•πš’ πš–πš’ πšπšŠπšŸπš˜πš›πš’πšπšŽ πš˜πš—πšŽ 𝚒𝚎𝚝. πš‚πš˜πš–πšŽ πšœπšπš˜πš›πš’πšŽπšœ πšœπšŽπšŽπš– 𝚝𝚘 πšœπšπš’πšŒπš” πš πš’πšπš‘ πš–πšŽ πš•πš˜πš—πšπšŽπš›. π™³πšŠπš—πšπš›πš’πšπšπšŽ'𝚜 𝚠𝚊𝚜 πš˜πš—πšŽ 𝚘𝚏 πšπš‘πš˜πšœπšŽ πšœπšπš˜πš›πš’πšŽπšœ πšπš‘πšŠπš 𝙸 πšŒπšŠπš—'𝚝 πšœπšŽπšŽπš– 𝚝𝚘 πšœπš‘πšŠπš”πšŽ. π™·πšŽπš› πšœπšπš˜πš›πš’ πš’πšœ πš˜πš—πšŽ 𝚘𝚏 πšπš›πš’πšžπš–πš™πš‘ πš’πš— πšπš‘πšŽ 𝚏𝚊𝚌𝚎 𝚘𝚏 πšŒπš˜πš—πšœπšπšŠπš—πš πšŠπšπšŸπšŽπš›πšœπš’πšπš’. 𝙸 πšœπš‘πšŠπš›πšŽ 𝚊 πš—πšžπš–πš‹πšŽπš› 𝚘𝚏 πš™πšŽπš›πšœπš˜πš—πšŠπš• πšœπšπš˜πš›πš’πšŽπšœ πšŠπš‹πš˜πšžπš πš–πšŽ πš–πš˜πšŸπš’πš—πš 𝚝𝚘 𝙻.𝙰. πšŠπš—πš πšπš’πšœπšŒπš˜πšŸπšŽπš›πš’πš—πš π™³πšŠπš—πšπš›πš’πšπšπšŽ πš’πš— 𝚊 πšπš’πšπš πšœπš‘πš˜πš™ πš—πš˜πš πšπšŠπš› πšπš›πš˜πš– πš πš‘πšŽπš›πšŽ πšœπš‘πšŽ πšπš’πšŽπš. π™΄πš•πšœπšŽπš πš‘πšŽπš›πšŽ πš’πš— πšπš‘πšŽ πš’πšœπšœπšžπšŽ, 𝙸 πšœπš‘πšŠπš›πšŽ 𝚊 πš‹πšžπš—πšŒπš‘ 𝚘𝚏 πš™πš‘πš˜πšπš˜πšπš›πšŠπš™πš‘πšœ 𝙸 πšπš˜πš˜πš” πšπš‘πš’πšœ πš™πšŠπšœπš πš πš’πš—πšπšŽπš› 𝚘𝚏 πš‘πšŽπš› πšπšŽπšŠπšπš‘ πšŠπšπšπš›πšŽπšœπšœ - 𝚊 πš‹πšŽπšŠπšžπšπš’πšπšžπš• πšŠπš™πšŠπš›πšπš–πšŽπš—πš πš‹πšžπš’πš•πšπš’πš—πš πš˜πš— π™΅πš˜πšžπš—πšπšŠπš’πš— π™°πšŸπšŽ. πš’πš— πš†πšŽπšœπš π™·πš˜πš•πš•πš’πš πš˜πš˜πš. π™Ώπš’πšŒπš” πšžπš™ 𝚊 πšŒπš˜πš™πš’ HERE πš˜πš› πš’πš 𝚒𝚘𝚞'πš›πšŽ πš’πš— π™»πš˜πš—πš π™±πšŽπšŠπšŒπš‘ πšπš˜πš–πš˜πš›πš›πš˜πš , πšœπšπš˜πš™ πš‹πš’ πšπš‘πšŽ π™ΌπšžπšœπšŽπšžπš– 𝚘𝚏 π™»πšŠπšπš’πš— π™°πš–πšŽπš›πš’πšŒπšŠπš— π™°πš›πš πšŠπš—πš πš™πš’πšŒπš” πšžπš™ 𝚊 πšŒπš˜πš™πš’. πš†πšŽ'πš•πš• πš‹πšŽ πšπšŠπš‹πš•πš’πš—πš πšπš˜πš–πš˜πš›πš›πš˜πš  πšπš›πš˜πš– πŸ·πŸ·π™°π™Ό - πŸ»π™Ώπ™Ό (𝙼𝙾𝙻𝙰𝙰 - 𝟼𝟸𝟾 π™°πš•πšŠπš–πš’πšπš˜πšœ π™°πšŸπšŽ, π™»πš˜πš—πš π™±πšŽπšŠπšŒπš‘, 𝙲𝙰 𝟿𝟢𝟾𝟢𝟸).  I

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