Natalie Saved My Life Tonight

π™Έπš— 𝟷𝟿𝟻𝟻, πšπš‘πšŽ π™ΌπšŠπš•πš’πš‹πšž-πšœπšπš’πš•πšŽπš πš‹πš˜πš’-πš—πšŽπš‘πš-πšπš˜πš˜πš›, πšƒπšŠπš‹ π™·πšžπš—πšπšŽπš›, πš‹πšŽπš•πš’πšŽπšŸπšŽπšœ πšπš‘πšŠπš πš‘πš’πšœ πšŒπšŠπš›πšŽπšŽπš› πš’πšœ πš˜πšŸπšŽπš›. πšƒπš‘πšŽ πšπš˜πšœπšœπš’πš™ πš›πšŠπš π™²πš˜πš—πšπš’πšπšŽπš—πšπš’πšŠπš• 𝚘𝚞𝚝𝚜 πš‘πš’πš– πš’πš— πšŠπš— πš’πš—πš—πšžπšŽπš—πšπš˜-πš•πšŠπšŒπšŽπš πšŠπš›πšπš’πšŒπš•πšŽ πšŠπš‹πš˜πšžπš π™·πšžπš—πšπšŽπš› πš‹πšŽπš’πš—πš πšŠπš›πš›πšŽπšœπšπšŽπš 𝚊𝚝 𝚊 "πš•πš’πš–πš™-πš πš›πš’πšœπšπšŽπš πš™πšŠπš“πšŠπš–πšŠ πš™πšŠπš›πšπš’" πš’πšŽπšŠπš›πšœ πš‹πšŽπšπš˜πš›πšŽ πš‘πšŽ 𝚠𝚊𝚜 πšπšŠπš–πš˜πšžπšœ. π™΅πš˜πš›πšπšžπš—πšŠπšπšŽπš•πš’ πšπš˜πš› πšπš‘πšŽ πš›πš’πšœπš’πš—πš πšœπšπšŠπš› 𝚘𝚏 "π™±πšŠπšπšπš•πšŽ π™²πš›πš’," π™Ώπš‘πš˜πšπš˜πš™πš•πšŠπš’ - 𝚊 πšπšŠπš—πš£πš’πš—πšŽ πš πš’πšπš‘ 𝚊 πš–πšžπšŒπš‘ πš‹πš’πšπšπšŽπš› πšŒπš’πš›πšŒπšžπš•πšŠπšπš’πš˜πš— - πšŒπš˜πš–πšŽπšœ 𝚘𝚞𝚝 𝚊𝚝 πšπš‘πšŽ πšœπšŠπš–πšŽ πšπš’πš–πšŽ πš πš’πšπš‘ πšŠπš— πš’πšœπšœπšžπšŽ πšπšŽπšŠπšπšžπš›πš’πš—πš π™·πšžπš—πšπšŽπš› πšŠπš—πš "πšπšŽπš‹πšŽπš• πš†πš’πšπš‘πš˜πšžπš 𝚊 π™²πšŠπšžπšœπšŽ" πšŠπšŒπšπš›πšŽπšœπšœ π™½πšŠπšπšŠπš•πš’πšŽ πš†πš˜πš˜πš πš˜πš— πšπš‘πšŽ πšŒπš˜πšŸπšŽπš› 𝚊𝚜 πšπš‘πšŽ "πš’πšŽπšŠπš›'𝚜 πš–πš˜πšœπš πš™πš˜πš™πšžπš•πšŠπš› πš—πšŽπš  πšœπšπšŠπš›πšœ." π™·πšžπš—πšπšŽπš› πšŒπš›πšŽπšπš’πšπšœ πš†πš˜πš˜πš πš’πš— πš™πšŠπš›πš πšπš˜πš› πšœπšŠπšŸπš’πš—πš πš‘πš’πšœ πšŒπšŠπš›πšŽπšŽπš›. πšƒπš‘πšŽπš’ 𝚜𝚝𝚊𝚒 πšπš›πš’πšŽπš—πšπšœ πšžπš—πšπš’πš• πš†πš˜πš˜πš'𝚜 πšπšŽπšŠπšπš‘ πš πš‘πšŽπš— πšœπš‘πšŽ πšπš›πš˜πš πš—πšœ 𝚘𝚏𝚏 πšπš‘πšŽ 𝚌𝚘𝚊𝚜𝚝 𝚘𝚏 π™²πšŠπšπšŠπš•πš’πš—πšŠ π™Έπšœπš•πšŠπš—πš πšžπš—πšπšŽπš› πš–πš’πšœπšπšŽπš›πš’πš˜πšžπšœ πšŒπš’πš›πšŒπšžπš–πšœπšπšŠπš—πšŒπšŽπšœ.

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Happy Birthday, Marilyn

πšƒπš˜πšπšŠπš’ πš πš˜πšžπš•πš πš‘πšŠπšŸπšŽ πš‹πšŽπšŽπš— π™ΌπšŠπš›πš’πš•πš’πš— π™Όπš˜πš—πš›πš˜πšŽ'𝚜 πŸΏπŸΉπš›πš πš‹πš’πš›πšπš‘πšπšŠπš’. π™·πšŠπš™πš™πš’ π™±πš’πš›πšπš‘πšπšŠπš’ π™ΌπšŠπš›πš’πš•πš’πš—. 𝚈𝚘𝚞 πš‘πšŠπšŸπšŽ πš‹πšŽπšŽπš— πš•πš˜πšŸπšŽπš.

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Tab Hunter Has a Secret

"π™Έπš πšπš˜πš˜πš” πš–πšŽ πš–πšžπšŒπš‘ 𝚝𝚘𝚘 πš•πš˜πš—πš 𝚝𝚘 πšžπš—πšπšŽπš›πšœπšπšŠπš—πš πš‘πš˜πš  πš’πš πšŒπš˜πšžπš•πš πš‹πšŽ πšžπš—πšπš’πš• 𝚒𝚘𝚞 πšœπš‘πšŠπš›πšŽπš πš’πš˜πšžπš› πšœπšŽπšŒπš›πšŽπš πš πš’πšπš‘ πš–πšŽ. πš‚πš˜πš–πšŽπšπš‘πš’πš—πš'𝚜 πšŒπš˜πš–πš’πš—' πš˜πšŸπšŽπš›, πš–πš–πš– πš–πš–πš–... πšœπš˜πš–πšŽπšπš‘πš’πš—πš'𝚜 πšŒπš˜πš–πš’πš—' πš˜πšŸπšŽπš›, πš–πš–πš– πš–πš–πš–... πšœπš˜πš–πšŽπšπš‘πš’πš—πš'𝚜 πšŒπš˜πš–πš’πš—' πš˜πšŸπšŽπš› πš–πšŽ. π™Όπš’ πš‹πšŠπš‹πš’'𝚜 𝚐𝚘𝚝 𝚊 πšœπšŽπšŒπš›πšŽπš."

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Deathiversary: Gil Scott-Heron (May 27, 2011)

π™Άπš’πš• πš‚πšŒπš˜πšπš-π™·πšŽπš›πš˜πš— (April 1, 1949 – May 27, 2011) πšœπš˜πšžπš• πšŠπš—πš πš“πšŠπš£πš£ πš™πš˜πšŽπš, πš–πšžπšœπš’πšŒπš’πšŠπš—, πšŠπš—πš πšŠπšžπšπš‘πš˜πš›, πš”πš—πš˜πš πš— πš™πš›πš’πš–πšŠπš›πš’πš•πš’ πšπš˜πš› πš‘πš’πšœ πš πš˜πš›πš” 𝚊𝚜 𝚊 πšœπš™πš˜πš”πšŽπš—-πš πš˜πš›πš πš™πšŽπš›πšπš˜πš›πš–πšŽπš› πš’πš— πšπš‘πšŽ 𝟷𝟿𝟽𝟢𝚜 πšŠπš—πš 𝟷𝟿𝟾𝟢𝚜, πšπš’πšŽπšœ πš˜πš— πšπš‘πšŽ πšŠπšπšπšŽπš›πš—πš˜πš˜πš— 𝚘𝚏 π™ΌπšŠπš’ 𝟸𝟽, 𝟸𝟢𝟷𝟷, πšŠπšπšπšŽπš› πš‹πšŽπšŒπš˜πš–πš’πš—πš πš’πš•πš• πšžπš™πš˜πš— πš›πšŽπšπšžπš›πš—πš’πš—πš πšπš›πš˜πš– 𝚊 π™΄πšžπš›πš˜πš™πšŽπšŠπš— πšπš›πš’πš™. πš‚πšŒπš˜πšπš-π™·πšŽπš›πš˜πš— πšŒπš˜πš—πšπš’πš›πš–πšœ πš™πš›πšŽπšŸπš’πš˜πšžπšœ πš™πš›πšŽπšœπšœ πšœπš™πšŽπšŒπšžπš•πšŠπšπš’πš˜πš— πšŠπš‹πš˜πšžπš πš‘πš’πšœ πš‘πšŽπšŠπš•πšπš‘ πš πš‘πšŽπš— πš‘πšŽ πšπš’πšœπšŒπš•πš˜πšœπšŽπšœ πš’πš— 𝚊 𝟸𝟢𝟢𝟾 π™½πšŽπš  πšˆπš˜πš›πš” π™ΌπšŠπšπšŠπš£πš’πš—πšŽ πš’πš—πšπšŽπš›πšŸπš’πšŽπš  πšπš‘πšŠπš πš‘πšŽ πš’πšœ π™·π™Έπš…-πš™πš˜πšœπš’πšπš’πšŸπšŽ. πšƒπš‘πšŽ πš›πšŽπšŸπš˜πš•πšžπšπš’πš˜πš— πš πš’πš•πš• πš—πš˜πš πš‹πšŽ πšπšŽπš•πšŽπšŸπš’πšœπšŽπš.

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Dead in Hollywood L.A. Zine Fest Ads

Here are the ads I created for Dead in Hollywood on Instagram (@DEADINHOLLYWOODZINE) promoting the 2019 L.A. Zine Fest. Click through the pics to see the slideshow of ads. If you missed the L.A. Zine Fest you can pick up Dead in Hollywood zines HERE! No shipping fees!

Dead in England: St. Dunstan's Churchyard

π™³πšŽπš‹πšžπšπš’πš—πš πš–πš’ πš•πšŠπšπšŽπšœπš πš£πš’πš—πšŽ, "π™³πšŽπšŠπš πš’πš— π™΄πš—πšπš•πšŠπš—πš: πš‚πš. π™³πšžπš—πšœπšπšŠπš—'𝚜 π™²πš‘πšžπš›πšŒπš‘πš’πšŠπš›πš" πšπš‘πš’πšœ πš‚πšžπš—πšπšŠπš’, π™ΌπšŠπš’ πŸΈπŸΌπšπš‘ 𝚊𝚝 πšπš‘πšŽ 𝙻.𝙰. πš‰πš’πš—πšŽ π™΅πšŽπšœπš 𝚊𝚝 πšπš‘πšŽ π™·πšŽπš•πš–πšœ π™±πšŠπš”πšŽπš›πš’ πš‹πšžπš’πš•πšπš’πš—πš (𝟾𝟽𝟷𝟷 πš†πšŠπšœπš‘πš’πš—πšπšπš˜πš— π™±πš•πšŸπš., π™²πšžπš•πšŸπšŽπš› π™²πš’πšπš’, 𝙲𝙰 𝟿𝟢𝟸𝟹𝟸). πš‚πšπš˜πš™ πš‹πš’ πšŠπš—πš 𝚜𝚊𝚒 πš‘πš’ πšŠπš—πš πš™πš’πšŒπš” πšžπš™ πšœπš˜πš–πšŽ πš£πš’πš—πšŽπšœ! 𝙸 πš™πš›πš˜πš–πš’πšœπšŽ 𝚒𝚘𝚞, πš’πš'πš•πš• πš‹πšŽ πšπš‘πšŽ πš–πš˜πšœπš πšπšžπš— 𝚒𝚘𝚞 πš‘πšŠπšŸπšŽ πšπš‘πš’πšœ πš‚πšžπš—πšπšŠπš’! 

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Dead in MPLS: PRINCE (coming soon)

I will be tackling the stories of two of the biggest pop icons of this generation. Prince and George Michael. Two artists we lost too soon. I can’t stop listening to Prince at the moment which makes it difficult to not want to jump ahead and focus on the Prince issue. I can’t wait to share with you all so many personal photos of my trip two weeks ago,

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Let's go...

Last night I was working on the upcoming zine "Dead in Hollywood: The Crucifixion of George Michael (Issue #11) when I spilled a glass of water on my laptop, frying it. I lost everything! Or so I thought. Spending three dollars a month on iCloud storage space turned out to be quite the bargain. The laptop was not so lucky. I'm still hoping to finish the issue before the L.A. Zine Fest on May 26th. I pray to George Michael that I will. "The Crucifixion of George Michael" will focus on Michael's arrest on April 8, 1998, for a "lewd act" in a public restroom in a Beverly Hills park, forcing the pop icon out of the closet. Michael's helped me come to terms with my own sexuality. At 13, my conservative, Trump-loving uncle bought me Michael's "Faith" album for Christmas. He's never really spoken to me after I came out years later in 1998. It's not just pop icons and mythical religious figures who are shunned and crucified. BTW, that uncle also introduced me to En Vogue's "Funky Divas" album on a road trip to Mexico when I was 14. Maybe I'll send him a copy of the zine when I'm finished. Maybe it'll free his mind and help heal the pain. DEAD IN HOLLYWOOD: THE CRUCIFIXION OF GEORGE MICHAEL (ISSUE #11) COMING SOON TO THE WILL ROGERS MEMORIAL PARK IN BEVERLY HILLS.

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DEAD IN MPLS: PRINCE (Coming Soon!)

𝙸 πš†π™Έπš‚π™· πšˆπ™Ύπš„ π™·π™΄π™°πš…π™΄π™½: πšƒπš πš˜ πš πšŽπšŽπš”πšœ 𝚊𝚐𝚘 πš˜πš— πš–πš’ πš‹πš’πš›πšπš‘πšπšŠπš’, πš–πš’ πš‘πšžπšœπš‹πšŠπš—πš πšœπšžπš›πš™πš›πš’πšœπšŽπš πš–πšŽ πš πš’πšπš‘ 𝚊 πšπš›πš’πš™ 𝚝𝚘 π™Ώπš›πš’πš—πšŒπšŽ'𝚜 π™ΏπšŠπš’πšœπš•πšŽπš’ π™ΏπšŠπš›πš” πš‘πš˜πš–πšŽ/πšœπšπšžπšπš’πš˜ πš˜πš— πšπš‘πšŽ πŸΉπš›πš πšŠπš—πš—πš’πšŸπšŽπš›πšœπšŠπš›πš’ 𝚘𝚏 πš‘πš’πšœ πšπšŽπšŠπšπš‘. π™ΏπšŠπš’πšœπš•πšŽπš’ π™ΏπšŠπš›πš” πš‘πšŠπšœ πš‘πšŽπš•πš 𝚊 πšœπš™πšŽπšŒπš’πšŠπš• πš™πš•πšŠπšŒπšŽ πš’πš— πš–πš’ πš‘πšŽπšŠπš›πš πšŽπšŸπšŽπš› πšœπš’πš—πšŒπšŽ πš–πš’ πš™πšŠπš›πšŽπš—πšπšœ πš‹πš˜πšžπšπš‘πš πš–πšŽ πšπš‘πšŽ π™Ώπš›πš’πš—πšŒπšŽ 𝙲𝙳-πšπ™Ύπ™Ό πšπšŠπš–πšŽ "π™Έπš—πšπšŽπš›πšŠπšŒπšπš’πšŸπšŽ" πš’πš— 𝟷𝟿𝟿𝟺. π™Έπš—πšœπšπšŽπšŠπš 𝚘𝚏 πš™πš•πšŠπš’πš’πš—πš πš’πš— πšπš‘πšŽ πšœπšžπš—πšœπš‘πš’πš—πšŽ πšπš‘πšŠπš πšœπšžπš–πš–πšŽπš›, 𝙸 πš πšŠπš—πšπšŽπš›πšŽπš πšπš‘πšŽ πš–πš’πšπš‘πš’πšŒπšŠπš• πš‘πšŠπš•πš•πšœ 𝚘𝚏 π™ΏπšŠπš’πšœπš•πšŽπš’ π™ΏπšŠπš›πš” πšπš˜πš› πš πšŽπšŽπš”πšœ πš˜πš— πšŽπš—πš, πšžπš—πš•πš˜πšŒπš”πš’πš—πš πšŽπšŠπšœπšπšŽπš› 𝚎𝚐𝚐𝚜 πšŠπš—πš πšŽπš‘πš™πš•πš˜πš›πš’πš—πš π™Ώπš›πš’πš—πšŒπšŽ'𝚜 πšŸπš’πš›πšπšžπšŠπš• πš›πšŽπšŒπš˜πš›πšπš’πš—πš πšœπšπšžπšπš’πš˜ πš’πš— πš‘πš˜πš™πšŽπšœ 𝚘𝚏 πšπš’πš—πšπš’πš—πš πšŠπš—πšœπš πšŽπš›πšœ 𝚝𝚘 πšπš‘πšŽ πšŽπš—πš’πšπš–πšŠ πšπš‘πšŠπš 𝚠𝚊𝚜 π™Ώπš›πš’πš—πšŒπšŽ. 𝙳𝙴𝙰𝙳 𝙸𝙽 π™Όπ™Ώπ™»πš‚: π™Ώπšπ™Έπ™½π™²π™΄ (π™ΈπšœπšœπšžπšŽ #𝟷𝟺) πšπš˜πš•πš•πš˜πš πšœ πš–πš’ πš›πšŽπšŠπš• πš•πš’πšπšŽ πš“πš˜πšžπš›πš—πšŽπš’ πš’πš—πšπš˜ πšπš‘πšŽ πšœπš™πš˜πš˜πš”πš’ πšŽπš•πšŽπšŒπšπš›πš’πšŒ πš πš‘πšŽπš›πšŽ πšŠπšπš–πš’πšœπšœπš’πš˜πš— πš’πšœ 𝚎𝚊𝚜𝚒 πš’πš 𝚒𝚘𝚞 πš“πšžπšœπš 𝚜𝚊𝚒 𝚒𝚘𝚞 πš‹πšŽπš•πš’πšŽπšŸπšŽ πšŠπš—πš πš πš‘πšŽπš›πšŽ 𝙸 πšπš’πš—πšŠπš•πš•πš’ πšπš˜πš›πšπš’πšŸπšŽ πš‘πš’πš– πšŠπš—πš 𝚜𝚎𝚝 πš–πš’ 𝟷𝟺-πš’πšŽπšŠπš›-πš˜πš•πš πšœπšŽπš•πš πšπš›πšŽπšŽ. πš†πš˜πš—'𝚝 𝚒𝚘𝚞 πšπš˜πš•πš•πš˜πš  πš–πšŽ πšπš˜πš πš— 𝚝𝚘 π™°πš•πš™πš‘πšŠπš‹πšŽπš πš‚πšπš›πšŽπšŽπš? πš†πšŽπš•πšŒπš˜πš–πšŽ 𝟸 πšπš‘πšŽ πšπšŠπš πš—. 

The First Time...

πšƒπš˜πš—πš’πšπš‘πš 𝚠𝚊𝚜 πš–πš’ πšπš’πš›πšœπš πšπš’πš–πšŽ πš‘πš˜πš•πšπš’πš—πš 𝚊 πš‘πšŠπš›πš πšŒπš˜πš™πš’ 𝚘𝚏 "π™³πšŽπšŠπš πš’πš— π™·πš˜πš•πš•πš’πš πš˜πš˜πš: π™³πš˜πš›πš˜πšπš‘πš’ π™³πšŠπš—πšπš›πš’πšπšπšŽ π™»πš’πšŸπšŽπšœ π™·πšŽπš›πšŽ." 𝙸 πšŒπšŠπš—'𝚝 πš‹πšŽπšπš’πš— 𝚝𝚘 πšπšŽπšœπšŒπš›πš’πš‹πšŽ πš‘πš˜πš  𝚐𝚘𝚘𝚍 πšπš‘πšŠπš πšπšŽπšŽπš•πšœ πšŠπšπšπšŽπš› πšœπš™πšŽπš—πšπš’πš—πš πš–πš˜πš—πšπš‘πšœ πš πš˜πš›πš”πš’πš—πš πš˜πš— πš’πš πšπš’πšπš’πšπšŠπš•πš•πš’. 𝙸 πšœπš™πšŽπš—πš 𝚊 πš•πš˜πš 𝚘𝚏 πšπš’πš–πšŽ πš˜πš— πšπš‘πš’πšœ πš’πšœπšœπšžπšŽ. π™Έπš'𝚜 πš™πš›πš˜πš‹πšŠπš‹πš•πš’ πš–πš’ πšπšŠπšŸπš˜πš›πš’πšπšŽ πš˜πš—πšŽ 𝚒𝚎𝚝. πš‚πš˜πš–πšŽ πšœπšπš˜πš›πš’πšŽπšœ πšœπšŽπšŽπš– 𝚝𝚘 πšœπšπš’πšŒπš” πš πš’πšπš‘ πš–πšŽ πš•πš˜πš—πšπšŽπš›. π™³πšŠπš—πšπš›πš’πšπšπšŽ'𝚜 𝚠𝚊𝚜 πš˜πš—πšŽ 𝚘𝚏 πšπš‘πš˜πšœπšŽ πšœπšπš˜πš›πš’πšŽπšœ πšπš‘πšŠπš 𝙸 πšŒπšŠπš—'𝚝 πšœπšŽπšŽπš– 𝚝𝚘 πšœπš‘πšŠπš”πšŽ. π™·πšŽπš› πšœπšπš˜πš›πš’ πš’πšœ πš˜πš—πšŽ 𝚘𝚏 πšπš›πš’πšžπš–πš™πš‘ πš’πš— πšπš‘πšŽ 𝚏𝚊𝚌𝚎 𝚘𝚏 πšŒπš˜πš—πšœπšπšŠπš—πš πšŠπšπšŸπšŽπš›πšœπš’πšπš’. 𝙸 πšœπš‘πšŠπš›πšŽ 𝚊 πš—πšžπš–πš‹πšŽπš› 𝚘𝚏 πš™πšŽπš›πšœπš˜πš—πšŠπš• πšœπšπš˜πš›πš’πšŽπšœ πšŠπš‹πš˜πšžπš πš–πšŽ πš–πš˜πšŸπš’πš—πš 𝚝𝚘 𝙻.𝙰. πšŠπš—πš πšπš’πšœπšŒπš˜πšŸπšŽπš›πš’πš—πš π™³πšŠπš—πšπš›πš’πšπšπšŽ πš’πš— 𝚊 πšπš’πšπš πšœπš‘πš˜πš™ πš—πš˜πš πšπšŠπš› πšπš›πš˜πš– πš πš‘πšŽπš›πšŽ πšœπš‘πšŽ πšπš’πšŽπš. π™΄πš•πšœπšŽπš πš‘πšŽπš›πšŽ πš’πš— πšπš‘πšŽ πš’πšœπšœπšžπšŽ, 𝙸 πšœπš‘πšŠπš›πšŽ 𝚊 πš‹πšžπš—πšŒπš‘ 𝚘𝚏 πš™πš‘πš˜πšπš˜πšπš›πšŠπš™πš‘πšœ 𝙸 πšπš˜πš˜πš” πšπš‘πš’πšœ πš™πšŠπšœπš πš πš’πš—πšπšŽπš› 𝚘𝚏 πš‘πšŽπš› πšπšŽπšŠπšπš‘ πšŠπšπšπš›πšŽπšœπšœ - 𝚊 πš‹πšŽπšŠπšžπšπš’πšπšžπš• πšŠπš™πšŠπš›πšπš–πšŽπš—πš πš‹πšžπš’πš•πšπš’πš—πš πš˜πš— π™΅πš˜πšžπš—πšπšŠπš’πš— π™°πšŸπšŽ. πš’πš— πš†πšŽπšœπš π™·πš˜πš•πš•πš’πš πš˜πš˜πš. π™Ώπš’πšŒπš” πšžπš™ 𝚊 πšŒπš˜πš™πš’ HERE πš˜πš› πš’πš 𝚒𝚘𝚞'πš›πšŽ πš’πš— π™»πš˜πš—πš π™±πšŽπšŠπšŒπš‘ πšπš˜πš–πš˜πš›πš›πš˜πš , πšœπšπš˜πš™ πš‹πš’ πšπš‘πšŽ π™ΌπšžπšœπšŽπšžπš– 𝚘𝚏 π™»πšŠπšπš’πš— π™°πš–πšŽπš›πš’πšŒπšŠπš— π™°πš›πš πšŠπš—πš πš™πš’πšŒπš” πšžπš™ 𝚊 πšŒπš˜πš™πš’. πš†πšŽ'πš•πš• πš‹πšŽ πšπšŠπš‹πš•πš’πš—πš πšπš˜πš–πš˜πš›πš›πš˜πš  πšπš›πš˜πš– πŸ·πŸ·π™°π™Ό - πŸ»π™Ώπ™Ό (𝙼𝙾𝙻𝙰𝙰 - 𝟼𝟸𝟾 π™°πš•πšŠπš–πš’πšπš˜πšœ π™°πšŸπšŽ, π™»πš˜πš—πš π™±πšŽπšŠπšŒπš‘, 𝙲𝙰 𝟿𝟢𝟾𝟢𝟸).  I

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Dead in Hollywood/Muerto en Hollywood

πšƒπš˜πš–πš˜πš›πš›πš˜πš  πšπš›πš˜πš– πŸ·πŸ·π™°π™Ό - πŸ»π™Ώπ™Ό π™³πšŽπšŠπš πš’πš— π™·πš˜πš•πš•πš’πš πš˜πš˜πš πš πš’πš•πš• πš‹πšŽ πšπšŠπš‹πš•πš’πš—πš 𝚊𝚝 πšπš‘πšŽ π™Ώπš›πš’πš—πš π™΅πšŠπš’πš› & π™΅πšŽπšœπšπš’πšŸπšŠπš• 𝚊𝚝 πšπš‘πšŽ π™ΌπšžπšœπšŽπšžπš– 𝚘𝚏 π™»πšŠπšπš’πš— π™°πš–πšŽπš›πš’πšŒπšŠπš— π™°πš›πš πš’πš— π™»πš˜πš—πš π™±πšŽπšŠπšŒπš‘ πš πš‘πšŽπš›πšŽ 𝙸 πš πš’πš•πš• πš‹πšŽ πš™πš›πšŽπš–πš’πšŽπš›πš’πš—πš 𝚊 πš‚πš™πšŠπš—πš’πšœπš‘ πšŽπšπš’πšπš’πš˜πš— 𝚘𝚏 π™³πšŽπšŠπš πš’πš— π™·πš˜πš•πš•πš’πš πš˜πš˜πš: π™»πšžπš™πšŽ πš…Γ©πš•πšŽπš£. π™ΌπšžπšŽπš›πšπš˜ πšŽπš— π™·πš˜πš•πš•πš’πš πš˜πš˜πš: π™»πšžπš™πšŽ πš…Γ©πš•πšŽπš£ 𝚠𝚊𝚜 πšπš›πšŠπš—πšœπš•πšŠπšπšŽπš πš‹πš’ πšπš‘πšŽ πšŠπš–πšŠπš£πš’πš—πš πšŠπš—πš πšπšŠπš•πšŽπš—πšπšŽπš πšπš’πšŠπš— πšƒπšŠπšŒπšŠπšπšŠ β€οΈπŸ™ 𝙸 πš‘πš˜πš™πšŽ 𝚝𝚘 𝚜𝚎𝚎 πšŽπšŸπšŽπš›πš’πš˜πš—πšŽ 𝚊𝚝 𝙼𝙾𝙻𝙰𝙰 πšπš˜πš–πš˜πš›πš›πš˜πš ! π™Έπš'𝚜 πšπš˜πš’πš—πš 𝚝𝚘 πš‹πšŽ 𝚊 πš‹πšŽπšŠπšžπšπš’πšπšžπš• 𝚍𝚊𝚒! (𝟼𝟸𝟾 π™°πš•πšŠπš–πš’πšπš˜πšœ π™°πšŸπšŽ, π™»πš˜πš—πš π™±πšŽπšŠπšŒπš‘, 𝙲𝙰 𝟿𝟢𝟾𝟢𝟸) 

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DEAD IN MINNEAPOLIS: PRINCE (DAKOTA JAZZ CLUB)

Three years ago on April 19th, Prince attended a show at the Dakota Jazz Club in Minneapolis to hear singer Lizz Wright. CBS Minnesota reports that whenever he went to the Dakota, he'd enter through a special door. β€œWe just kind of had a way that avoided him being seen,” said Lowell Pickett, the Dakota’s owner. β€œHe would walk in the side door and walk up the stairs to a table that was kind of by itself, and we’d close a curtain next to it so it was kind of like a box seat.” Just about every month, Prince would show up at the club. On Thursday, my husband surprised me for my birthday with a trip to Paisley Park on the anniversary of Prince's death - Paisley Park was Prince's home and recording studio. Tomorrow we'll be touring the complex and attending "Paisley Park After Dark." On Sunday, the three year anniversary of his death, we'll be taking a VIP tour of the complex as well as celebrating his life afterward at the Dakota. Today we toured "Prince's Places" in and around Minneapolis. The following photos are of the night my husband surprised me and me standing in front of the Dakota Jazz Club. I have the fucking best husband in the world! Many more photos to come!