Tomorrow! Dead in Hollywood at MOLAA in Long Beach, CA

Join us tomorrow from 11AM - 5PM at the Museum of Latin American Art for the Print Fair & Festival where Dead in Hollywood will be tabling. We’ll be premiering the latest three issues on NATALIE WOOD, DOROTHY DANDRIDGE, and an English and Spanish editions of LUPE VELEZ. (MOLAA - 𝟼𝟸𝟾 π™°πš•πšŠπš–πš’πšπš˜πšœ π™°πšŸπšŽ, π™»πš˜πš—πš π™±πšŽπšŠπšŒπš‘, 𝙲𝙰 𝟿𝟢𝟾𝟢𝟸)

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Dead in Hollywood/Muerto en Hollywood

πšƒπš˜πš–πš˜πš›πš›πš˜πš  πšπš›πš˜πš– πŸ·πŸ·π™°π™Ό - πŸ»π™Ώπ™Ό π™³πšŽπšŠπš πš’πš— π™·πš˜πš•πš•πš’πš πš˜πš˜πš πš πš’πš•πš• πš‹πšŽ πšπšŠπš‹πš•πš’πš—πš 𝚊𝚝 πšπš‘πšŽ π™Ώπš›πš’πš—πš π™΅πšŠπš’πš› & π™΅πšŽπšœπšπš’πšŸπšŠπš• 𝚊𝚝 πšπš‘πšŽ π™ΌπšžπšœπšŽπšžπš– 𝚘𝚏 π™»πšŠπšπš’πš— π™°πš–πšŽπš›πš’πšŒπšŠπš— π™°πš›πš πš’πš— π™»πš˜πš—πš π™±πšŽπšŠπšŒπš‘ πš πš‘πšŽπš›πšŽ 𝙸 πš πš’πš•πš• πš‹πšŽ πš™πš›πšŽπš–πš’πšŽπš›πš’πš—πš 𝚊 πš‚πš™πšŠπš—πš’πšœπš‘ πšŽπšπš’πšπš’πš˜πš— 𝚘𝚏 π™³πšŽπšŠπš πš’πš— π™·πš˜πš•πš•πš’πš πš˜πš˜πš: π™»πšžπš™πšŽ πš…Γ©πš•πšŽπš£. π™ΌπšžπšŽπš›πšπš˜ πšŽπš— π™·πš˜πš•πš•πš’πš πš˜πš˜πš: π™»πšžπš™πšŽ πš…Γ©πš•πšŽπš£ 𝚠𝚊𝚜 πšπš›πšŠπš—πšœπš•πšŠπšπšŽπš πš‹πš’ πšπš‘πšŽ πšŠπš–πšŠπš£πš’πš—πš πšŠπš—πš πšπšŠπš•πšŽπš—πšπšŽπš πšπš’πšŠπš— πšƒπšŠπšŒπšŠπšπšŠ β€οΈπŸ™ 𝙸 πš‘πš˜πš™πšŽ 𝚝𝚘 𝚜𝚎𝚎 πšŽπšŸπšŽπš›πš’πš˜πš—πšŽ 𝚊𝚝 𝙼𝙾𝙻𝙰𝙰 πšπš˜πš–πš˜πš›πš›πš˜πš ! π™Έπš'𝚜 πšπš˜πš’πš—πš 𝚝𝚘 πš‹πšŽ 𝚊 πš‹πšŽπšŠπšžπšπš’πšπšžπš• 𝚍𝚊𝚒! (𝟼𝟸𝟾 π™°πš•πšŠπš–πš’πšπš˜πšœ π™°πšŸπšŽ, π™»πš˜πš—πš π™±πšŽπšŠπšŒπš‘, 𝙲𝙰 𝟿𝟢𝟾𝟢𝟸) 

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DEAD IN MINNEAPOLIS: PRINCE (DAKOTA JAZZ CLUB)

Three years ago on April 19th, Prince attended a show at the Dakota Jazz Club in Minneapolis to hear singer Lizz Wright. CBS Minnesota reports that whenever he went to the Dakota, he'd enter through a special door. β€œWe just kind of had a way that avoided him being seen,” said Lowell Pickett, the Dakota’s owner. β€œHe would walk in the side door and walk up the stairs to a table that was kind of by itself, and we’d close a curtain next to it so it was kind of like a box seat.” Just about every month, Prince would show up at the club. On Thursday, my husband surprised me for my birthday with a trip to Paisley Park on the anniversary of Prince's death - Paisley Park was Prince's home and recording studio. Tomorrow we'll be touring the complex and attending "Paisley Park After Dark." On Sunday, the three year anniversary of his death, we'll be taking a VIP tour of the complex as well as celebrating his life afterward at the Dakota. Today we toured "Prince's Places" in and around Minneapolis. The following photos are of the night my husband surprised me and me standing in front of the Dakota Jazz Club. I have the fucking best husband in the world! Many more photos to come!

Dead in Hollywood: Cemetery Boy

VOYAGE LA: Every artist has a unique story. Can you briefly walk us through yours?

CASTROBURGER: I grew up near Dallas (where JFK was shot dead) and moved to LA (where RFK was shot dead). I’ve been fascinated with the dark side of America, particularly Hollywood since I was a teenage cinephile reading books like Kenneth Anger’s Hollywood Babylon and Vincent Bugliosi’s Helter Skelter. At 18, I moved to LA to study screenwriting. I didn’t know anyone and I was really far from home for the first time in my life. I spent a lot of my time reading and writing at cemeteries like Hollywood Forever and the Westwood Memorial Cemetery. I read books about Marilyn Monroe and Sharon Tate at their graves. What better place to read about your idols?

CLICK HERE to read Dead in Hollywood’s interview at VOYAGE LA.

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The Mexican Spitfire: Lupe Velez (Coming Soon!)

MarΓ­a Guadalupe Villalobos VΓ©lez, known as Lupe VΓ©lez, is a Mexican-born silent screen star. VΓ©lez begins her career as a performer in Mexican vaudeville in the early 1920s. She is one of the first successful Latin American actresses in Hollywood. By the end of the decade, in the last years of American silent films, she is the lead in a number of films including "The Gaucho" (1927) and "Wolf Song" (1929). In the 40s, VΓ©lez's popularity peaks after appearing in the Mexican Spitfire films, a series created to capitalize on VΓ©lez's well-documented fiery personality. Nicknamed The Mexican Spitfire by the media, VΓ©lez's personal life is as colorful as her onscreen persona. In the early morning hours of December 14, 1944, VΓ©lez retires to her bedroom, where she consumes 70 - yes, 70! - Seconal pills and a glass of brandy. Her death becomes the stuff of urban legends. Coming soon!

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Coming Soon: The Bobby Driscoll Story

"Mom! I've got something awful to tell you." -Bobby Driscoll in the 1949 film, "The Window." In 1969, two lost boys were playing in a deserted East Village tenement at 371 10th St. when they stumbled upon the dead body of a man stretched out on a cot, surrounded by beer bottles and religious pamphlets. He'd been there for days. There were no signs of foul play, and no drugs were found around him or in his system. The man hadn't been carrying identification on him when he died, so the police classified him as a "John Doe."The coroner determined that he had died on March 31, 1969. Authorities showed his picture around the East Village neighborhood for two weeks but were unsuccessful. Who was he and how had his life gone so wrong?

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Dorothy Stratten For President

"π™Έπš πš™πšŽπš˜πš™πš•πšŽ πš‹πš›πš’πš—πš 𝚜𝚘 πš–πšžπšŒπš‘ πšŒπš˜πšžπš›πšŠπšπšŽ 𝚝𝚘 πšπš‘πš’πšœ πš πš˜πš›πš•πš πšπš‘πšŽ πš πš˜πš›πš•πš πš‘πšŠπšœ 𝚝𝚘 πš”πš’πš•πš• πšπš‘πšŽπš– 𝚝𝚘 πš‹πš›πšŽπšŠπš” πšπš‘πšŽπš–, 𝚜𝚘 𝚘𝚏 πšŒπš˜πšžπš›πšœπšŽ πš’πš πš”πš’πš•πš•πšœ πšπš‘πšŽπš–. ... π™Έπš πš”πš’πš•πš•πšœ πšπš‘πšŽ πšŸπšŽπš›πš’ 𝚐𝚘𝚘𝚍 πšŠπš—πš πšπš‘πšŽ πšŸπšŽπš›πš’ πšπšŽπš—πšπš•πšŽ πšŠπš—πš πšπš‘πšŽ πšŸπšŽπš›πš’ πš‹πš›πšŠπšŸπšŽ πš’πš–πš™πšŠπš›πšπš’πšŠπš•πš•πš’. π™Έπš 𝚒𝚘𝚞 πšŠπš›πšŽ πš—πš˜πš—πšŽ 𝚘𝚏 πšπš‘πšŽπšœπšŽ 𝚒𝚘𝚞 πšŒπšŠπš— πš‹πšŽ πšœπšžπš›πšŽ πšπš‘πšŠπš πš’πš πš πš’πš•πš• πš”πš’πš•πš• 𝚒𝚘𝚞 𝚝𝚘𝚘 πš‹πšžπš πšπš‘πšŽπš›πšŽ πš πš’πš•πš• πš‹πšŽ πš—πš˜ πšœπš™πšŽπšŒπš’πšŠπš• πš‘πšžπš›πš›πš’. ... πš†πšŽ πš•πš˜πšŸπšŽ 𝚒𝚘𝚞, 𝙳.𝚁." 

Dorothy Dandridge on the Cover of a Magazine (More)

I always find it so hard to say goodbye when I finish an issue of Dead in Hollywood. I can’t think of a better time to put the finishing touches on Dorothy Dandridge’s story then on the eve of the Academy Awards. I plan on doing a slideshow on Dandridge’s life in the near future. Stay tuned and turned on.

Introducing Dorothy Dandridge...

π™°πšœπš’πšπšŽ πšπš›πš˜πš– πš‹πšŽπš’πš—πš πšπš‘πšŽ πšπš’πš›πšœπš π™°πšπš›πš’πšŒπšŠπš—-π™°πš–πšŽπš›πš’πšŒπšŠπš— πšŠπšŒπšπš˜πš› 𝚝𝚘 πš‹πšŽ πš—πš˜πš–πš’πš—πšŠπšπšŽπš πšπš˜πš› πšŠπš— π™°πšŒπšŠπšπšŽπš–πš’ π™°πš πšŠπš›πš πš’πš— πšπš‘πšŽ πš•πšŽπšŠπš πšŠπšŒπšπš˜πš› πšŒπšŠπšπšŽπšπš˜πš›πš’, π™³πš˜πš›πš˜πšπš‘πš’ π™³πšŠπš—πšπš›πš’πšπšπšŽ πš’πšœ πšπš‘πšŽ πšπš’πš›πšœπš π™°πšπš›πš’πšŒπšŠπš—-π™°πš–πšŽπš›πš’πšŒπšŠπš— πšŠπšŒπšπš˜πš› 𝚝𝚘 πš πšŠπš•πš” πšπš‘πšŽ πš›πšŽπš πšŒπšŠπš›πš™πšŽπš πš•πš’πš”πšŽ 𝚊 πš–πš˜πšŸπš’πšŽ πšœπšπšŠπš› πšŠπš—πš πš™πš›πšŽπšœπšŽπš—πš πšŠπš— πšŠπš πšŠπš›πš πš˜πš— 𝚜𝚝𝚊𝚐𝚎. (Instagram: DEADINHOLLYWOODZINE)

Dorothy Dandridge and the 27th Academy Awards

π™³πš˜πš›πš˜πšπš‘πš’ π™³πšŠπš—πšπš›πš’πšπšπšŽ πšŠπš›πš›πš’πšŸπšŽπšœ πšπš˜πš› πšπš‘πšŽ πŸΈπŸ½πšπš‘ π™°πšŒπšŠπšπšŽπš–πš’ π™°πš πšŠπš›πšπšœ πš˜πš— π™ΌπšŠπš›πšŒπš‘ 𝟹𝟢, 𝟷𝟿𝟻𝟻. πš‚πš‘πšŽ πš’πšœ πšπš‘πšŽ πšπš’πš›πšœπš π™°πšπš›πš’πšŒπšŠπš—-π™°πš–πšŽπš›πš’πšŒπšŠπš— 𝚝𝚘 πš‹πšŽ πš—πš˜πš–πš’πš—πšŠπšπšŽπš πšπš˜πš› 𝚊 πš•πšŽπšŠπšπš’πš—πš πš›πš˜πš•πšŽ. πš‚πš‘πšŽ πšœπš‘πšŠπš›πšŽπšœ πš‘πšŽπš› π™ΎπšœπšŒπšŠπš› πš—πš˜πš–πš’πš—πšŠπšπš’πš˜πš— πš πš’πšπš‘ π™Άπš›πšŠπšŒπšŽ π™ΊπšŽπš•πš•πš’, π™°πšžπšπš›πšŽπš’ π™·πšŽπš™πš‹πšžπš›πš—, π™Ήπšžπšπš’ π™ΆπšŠπš›πš•πšŠπš—πš, πšŠπš—πš π™ΉπšŠπš—πšŽ πš†πš’πš–πšŠπš—. π™ΊπšŽπš•πš•πš’ πš πš’πš—πšœ πšπš˜πš› "πšƒπš‘πšŽ π™²πš˜πšžπš—πšπš›πš’ π™Άπš’πš›πš•," πš‹πšžπš π™³πš˜πš›πš˜πšπš‘πš’ π™³πšŠπš—πšπš›πš’πšπšπšŽ πš’πšœ πšŠπš— πš˜πšŸπšŽπš›πš—πš’πšπš‘πš πšœπšŽπš—πšœπšŠπšπš’πš˜πš—.

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